[x] use ▶

Sentences that have use in common :

Colson used tiny paper sticker dots, the kind that most art galleries use to denote which works in a show have been sold.
└ from 06 — Principium 2.0 Publication

Colson then asked some artist to make reinterpretations of the works and from here the idea to use them as a music score originated.
└ from 06 — Principium 2.0 Publication

Interestingly, he thought his resulting collages would be nice to use as scores – and they probably would have been.
└ from 06 — Principium 2.0 Publication

He made these beautiful pieces where he used tiny paper sticker dots, you know the ones that most art galleries use to denote which works in a show have been sold?
└ from 06 — Principium 2.0 Publication

And at a certain point he posed something like: 'I've made some work that might be interesting to use as a score, would you be up for it?
└ from 06 — Principium 2.0 Publication

The funny thing was that he thought his resulting collages would be nice to use as scores – and they probably would be – but it's just that I was so intrigued by the leftover sticker sheets, with their eight by twelve grid that just screamed 'SEQUENCER!
└ from 06 — Principium 2.0 Publication

All had worked with the medium of the vinyl record and added a new use/application.
└ from 07 — Pu-sh-ing-Sco-res Event

Jakobson has great reverence for intuition and it's use as a technology within her work.
└ from 09 — MAT>NET>PU TGC3 Presentation

In the eleventh century, Guido van Arezo introduced the staff with four lines (this is still in use).
└ from 11 — Para-phonic Poly-disco

The subjective nature, the way in which vibrations can release such strong emotions, makes it possible to deal speculatively and to use them for use in typography, image, material choices, folding methods and bookbinding systems.
└ from 13 — Remco van Bladel

This tactility, the application of materiality and the use of printing techniques as a metaphor for sound play a major role in his entire practice.
└ from 13 — Remco van Bladel

During this workshop, the attendants learnt how to use a custom library in the Pure Data programming environment to directly control the vertical and horizontal movements, as well as the brightness, of a beam of light.
└ from 16 — Tektronix Oscilloscope Music

Orientation with regard to giving meaning changes by inserting moments when improper use of thought, material and technology takes place.
└ from 20 — Concrete Poetry

If such a fraction can still be labelled as music, it can still be linked to the original and the performing artist in terms of financial compensation for use.
└ from 24 — Johannes Kreidler

In actuality, they are visual representations of the spider's consciousness (who can forget Dr. Peter Witt’s experiments with drug use on spiders and their resulting webs).
└ from 26 — Helga Jakobson

In addition, it places itself in the tradition of electro acoustic music and 'musique concrète' – a French music movement that makes use of everyday sounds that are processed with the help of electronics into compositions and sound collages.
└ from 27 — BJ Nilsen

He is known primarily for his writings on the use of sound in the avant-garde and experimental arts and music, and history and theory of the media arts.
└ from 27 — BJ Nilsen

This mining work is tied directly to the computer age, itself an alchemic expression of man's ingenious use of the earth.
└ from 27 — BJ Nilsen

The work creates a third space that belongs to the individual listener and which arises from the interaction between the original space and imaginary space, created through the composition and sound processing… We dig deep into the earth to get to layers of deep time, extract it and use the ancient material, in the case of coal, for electricity, for heating the house, commodities, to type a message on a phone.
└ from 27 — BJ Nilsen

Geologists use seismic soundings to map out the resources in the earth.
└ from 27 — BJ Nilsen

I apply filters, use electronics.
└ from 27 — BJ Nilsen

Since the beginning of his practice, he has made extensive use of recorded sound.
└ from 28 — John Duncan

Black MIDI' is a music genre consisting of compositions that use MIDI files to create song remixes containing a large number of notes, typically in the thousands or millions, and sometimes billions.
└ from 30 — Black Midi

This is an interesting process in which boundaries can be explored and in which the idea of 'cracked media' – whose performers challenge the intended effect of the technology and actively use alternative acts through subversive acts of abuse and misconception to generate results – is an interesting one.
└ from 30 — Black Midi

Black MIDI has also been considered the digital equivalent, as well as a response to composer Conlon Nancarrow's use of the player piano, which also involved experimenting with several thick notes to compose intricate pieces without hands.
└ from 30 — Black Midi

To engage with this potential, De Player and Varia asked several artists to work with the tool and use the result as a starting point for a performance.
└ from 32 — Activating an Archive

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