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Sentences that have then in common :

So far Evelin Brosi, AMVK and JODI will show up to get informed about matters of relevance and will then start to produce their floppy work for the collection from there.
└ from 01 — Pushing Scores Overview

All these scores then had to come together in one magazine/object.
└ from 02 — Release - Tetra Gamma Circulaire 3

We had previously worked with Kris Delacourt on 'Principium 2.0', which is a reinterpretation of Colson’s work 'Principium', and so it was a natural progression that we then asked Colson to work on a sound publication with us.
└ from 05 — Wiels Artbook Fair

We showed this piece by Remörk at ART Rotterdam and then I asked Kris if he was willing to make a publication of it, meaning a record.
└ from 06 — Principium 2.0 Publication

He then reassembled these line segments into new shapes and new lines.
└ from 06 — Principium 2.0 Publication

Colson then asked some artist to make reinterpretations of the works and from here the idea to use them as a music score originated.
└ from 06 — Principium 2.0 Publication

Principium 2.0' is then another piece in step with the principle of Colson's original 'Principium'.
└ from 06 — Principium 2.0 Publication

Short version: First it was a one octave Casio keyboard, then it became twelve 10" records, then it became an eight hour performance and eventually now a 12" LP.
└ from 06 — Principium 2.0 Publication

And I don't mind a good concept now and then, but I guess I'm too much of a musician, so I went for what was more appealing to me musically.
└ from 06 — Principium 2.0 Publication

That same ten-minute piece was then sped up for the other notes, going up in pitch and becoming shorter for each record.
└ from 06 — Principium 2.0 Publication

Funny thing was that we’d agreed to let it run until 23:00, and at about two minutes to then I got the first ever instruction to leave all the turntables empty.
└ from 06 — Principium 2.0 Publication

And then you go through that selection again.
└ from 06 — Principium 2.0 Publication

But then, I don’t fully agree that you miss out on creativity by sticking to a concept.
└ from 06 — Principium 2.0 Publication

Kris Delacourt: If you force me to choose between those two, then drone.
└ from 06 — Principium 2.0 Publication

They then explored Lissajous figures, waveform representations and other multiplexed, audio-driven visual shapes and forms which can be displayed and manipulated in real-time on an XY oscilloscope, Vectrex game console, ILDA laser display and other analogue vector displays, or with oscilloscope emulating software directly on a laptop.
└ from 16 — Tektronix Oscilloscope Music

In a multicultural situation, abstract sounds are forms of recognition; then there is, for example, music.
└ from 20 — Concrete Poetry

When things then open up, a new sense of variety is gained.
└ from 21 — Animated Notation

When things then open up, a new sense of variety is gained.
└ from 22 — Anitation

These webs then become a game of Cat's Cradle of sorts between the spider and I, not quite a collaboration but rather more of an exercise in ongoingness and recognition of loss.
└ from 26 — Helga Jakobson

In searching I began imagining where I would make a web, and then marvelling when I would find one in the most unlikely place, which only enchants me further into the world of spiders and webs and mythology.
└ from 26 — Helga Jakobson

And then there are sounds used for seismic interferometry: The decoding of ambient seismic noise, micro earthquakes and also surface bound sounds.
└ from 27 — BJ Nilsen

Except for the mining, but that then is also why I find mining in the Arctic especially interesting.
└ from 27 — BJ Nilsen

The UNI was developed by Niek Hilkmann and Joseph Knierzinger, and it is a machine into which a coin is inserted and from which a printed score is then delivered.
└ from 29 — Niek Hilkmann

Some of them, like Jason, record the MIDI files at a slow tempo and then speed up the footage in video editing to avoid RAM and processing issues.
└ from 30 — Black Midi

Where a composition comprises more than one sheet, these are then singularly framed and installed sequentially on the gallery wall, creating an extraordinary graphic rendering of the energy of aural compression and expansion.
└ from 31 — Marco Fusinato

He used a guzheng as a basis and then contact microphones to manipulate the sounds with software.
└ from 32 — Activating an Archive

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