[x] musical ▶

Sentences that have musical in common :

Later on, this developed into the type of musical notation we are familiar with in Western music.
└ from 01 — Pushing Scores Overview

Nevertheless, he showed me some books he once made in New York, which he said were to be seen as musical scores.
└ from 04 — Noting Denoting

Anyway, Vaast was putting together a show where other people would do reinterpretations of some of his works, and around the same time we had a nice chat about alternative musical scores, graphic scores and what not.
└ from 06 — Principium 2.0 Publication

And I never gave it that much thought, but the fact that when you stick magnets somewhere it makes a musical phrase, well, I guess to some people that would be wizardry, hah.
└ from 06 — Principium 2.0 Publication

Also nice, but not really musical.
└ from 06 — Principium 2.0 Publication

I can still see unexplored possibilities there – as an installation, or as a truly playable musical instrument, and even those two do not have to be mutually exclusive.
└ from 06 — Principium 2.0 Publication

But I did try to select bits that I thought had a beauty or a strong appeal to them, an interesting evolution or whatever, so much so that I hope they can survive as musical pieces in their own right.
└ from 06 — Principium 2.0 Publication

In the case of the 'prepared record', the record or musical piece is not used as a reproductive technique.
└ from 07 — Pu-sh-ing-Sco-res Event

In contrast to the composer or musician who perceives the record first and foremost as a vehicle transporting his or her musical ideas, here the interest lies especially in the optical/sculptural, as well as the acoustic presence and the compression of an idea when working with the playback possibilities and impossibilities of recording techniques.
└ from 07 — Pu-sh-ing-Sco-res Event

For TGC#3 he developed a tool that is a learning counterpart to his own musical input.
└ from 09 — MAT>NET>PU TGC3 Presentation

In the eleventh century, the Italian Guido of Arezzo, one of the most important founders of musical notation, developed a scale consisting of six notes: ut, re, mi, fa, sol, la.
└ from 11 — Para-phonic Poly-disco

During this period, the musical score is tied to a physical carrier for the first time, and thus becomes a commodity for sale in the market.
└ from 12 — Jacques Attali

The presence of failure in a musical system represents feedback in the negative, a turning point in anticlimax, irrelevance, the everyday, the cliché or even unintentional silence.
└ from 14 — Derek Holzer

John Cage once quipped that Serge Tcherepnin's synthesizer system was 'the best musical composition that Serge had ever made', and it is precisely Cage's reformulation of the concert score from a list of deterministic note values to a set of indeterminable possibilities that allowed the blurring of lines between instrument-builder and music composer that followed.
└ from 15 — Schematic as Design

In addition to the all-dominating impact of the music industry, which determines lifestyle at the level of confection, all sorts of de-mass-splintering genres are forming on the periphery of the musical firmament.
└ from 20 — Concrete Poetry

The connection between the word and sound can be found in many ways in the art and music of the Fluxus movement, rap, the early avant-garde, soundproofing, laut poetry, musical theater, opera, performative series, radio plays and installation settings.
└ from 20 — Concrete Poetry

They are a group that plays music in an 'extra-musical' or 'non-musical' sort of rhythm (so to speak).
└ from 21 — Animated Notation

Through his compositions he has developed a rhythmic language devoid of regular beat or metre, and he has created a new musical notation to represent his music.
└ from 21 — Animated Notation

Gunnarsson's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse.
└ from 21 — Animated Notation

This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores.
└ from 21 — Animated Notation

Instead of using traditional musical scores during the performance, the musicians follow specific instructions that move across a computer screen.
└ from 22 — Anitation

By emphasising this aspect of the machine as a musical entrepreneur earning his own income, the conditions of mechanised labour within the cultural industry, and its associated ethics, are investigated within this project.
└ from 29 — Niek Hilkmann

Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos, where he punched holes in piano cards to create extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI.
└ from 30 — Black Midi

Breaking with both the traditional form of the musical performance and, through Fusinato’s resolutely antisocial position facing away from the audience, the standard affective relationship between audience and performer is broken.
└ from 31 — Marco Fusinato

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