[x] field ▶

Sentences that have field in common :

It will unfold through a nomadic program that includes the creation of newly commissioned artworks and public events that address contemporary questions and issues pertinent in this particular field.
└ from 01 — Pushing Scores Overview

It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts and performance.
└ from 01 — Pushing Scores Overview

He opens up the artistic field to explore what is happening in the art world.
└ from 05 — Wiels Artbook Fair

Principium 1.0' appeared as a hacked synth reduced to a single octave, to be played with magnets on a colourful playing field, parallelling the same patterns.
└ from 06 — Principium 2.0 Publication

And so, he went on to design 'Principium 1.0'; a magnetic board with the same field as the sticker sheets, which he activated with magnets as a synthesizer.
└ from 06 — Principium 2.0 Publication

The idea was to put white magnets on top of the coloured dots to blank them out, so you end up with something analogous to taking a sticker off the sheet – a white space in a field of colour.
└ from 06 — Principium 2.0 Publication

We knew that Remco had written an essay called 'Musical Theories in Graphic Design' – on the subject of graphic notation within a broader field of theory formation in contemporary music – and felt it would be a good match to work together on a research project about the graphic score.
└ from 13 — Remco van Bladel

In his 2002 essay 'Musical Theories in Graphic Design', Bladel discussed the subject of graphic notation within a broader field of theory formation in contemporary music.
└ from 13 — Remco van Bladel

I made field recordings in the winter; you hear ice crystals cracking because there was a layer of ice on the snow.
└ from 27 — BJ Nilsen

I'm always processing and refining my field recordings.
└ from 27 — BJ Nilsen

His music consists mainly of recordings of shortwave radio, field recordings and voice.
└ from 28 — John Duncan

DE PLAYER has always had a strong interest in emancipating publishing from its stereotypical understanding as merely making things public – an understanding that comes from an historical and economic media constraint linked to the print, software, music and film industries, and that has limited any form of meaningful, explorative, complementary or conflictual combinations between media in the field of cultural production.
└ from 30 — Black Midi

She is currently completing a Composition MA at Codarts with Hans Koolmees/René Uijlenhoet and her freelance work includes presenting new works for violin, collaborative residencies, workshop leading and producing/curating events in this field.
└ from 32 — Activating an Archive

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