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Sentences that have compositions in common :

Image and sound are created immediately during the performance by speaking and vocalising into a microphone and modifying the voice through signal processors and samplers while the software is analysing the sound to create animated abstract visual text-compositions.
└ from 19 — Jörg Piringer

IRREGULAR #2313 STRIPPED Fri 14 Oct 2011 21:00 @ Wall Gallery, Rotterdam with Fersteinn Fersteinn (IS) is a quartet of multi-instrumentalists that play compositions by Guðmundur Steinn Gunnarsson, a repertoire that is written especially for the ensemble.
└ from 21 — Animated Notation

Fersteinn plays from animations made as compositions on a laptop.
└ from 21 — Animated Notation

Most compositions are made by Guðmundur Steinn Gunnarsson.
└ from 21 — Animated Notation

Through his compositions he has developed a rhythmic language devoid of regular beat or metre, and he has created a new musical notation to represent his music.
└ from 21 — Animated Notation

The AEX index, outsourcing of labour or copyright processes and social questions and implications around these issues form the fundament of some of his compositions.
└ from 24 — Johannes Kreidler

They remind me of George Crumb’s circular compositions; minus the pen and paper.
└ from 26 — Helga Jakobson

In addition, it places itself in the tradition of electro acoustic music and 'musique concrète' – a French music movement that makes use of everyday sounds that are processed with the help of electronics into compositions and sound collages.
└ from 27 — BJ Nilsen

The medium of radio still plays a role in arriving at compositions.
└ from 28 — John Duncan

Black MIDI' is a music genre consisting of compositions that use MIDI files to create song remixes containing a large number of notes, typically in the thousands or millions, and sometimes billions.
└ from 30 — Black Midi

Transformation of information is a fact that occurs during the process of composing and performing the compositions.
└ from 30 — Black Midi

Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos, where he punched holes in piano cards to create extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI.
└ from 30 — Black Midi

Shortly thereafter, blackers from around the world began pushing limits of the style by making compositions with notes increasing into the millions and using an enormous number of colours and patterns to match the complexity of the notes.
└ from 30 — Black Midi

In these works, treated by Fusinato as propositions for new noise compositions, the qualities of each individual note and their relation to those around them are effectively compressed into a single point of intense concentration.
└ from 31 — Marco Fusinato

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