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DE PLAYER – a production platform specialising in the relationship between sound, art, publishing and performance – presents works by artists within the frame of the project 'Pushing Scores', a project by DE PLAYER and Dutch graphic designer Remco van Bladel.
└ from 01 — Pushing Scores Overview


In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of ‘energy’, which operates within the bigger narratives of ecology and other sensitivities.
└ from 01 — Pushing Scores Overview


Encased within a concrete body, an internal stand-alone WiFi station enables you to get in touch with the content of this floppy magazine.
└ from 02 — Release - Tetra Gamma Circulaire 3


These books were the starting point for curating the event, which subsequently sat within our 'Pushing Scores' project.
└ from 04 — Noting Denoting


He came up with the idea of the Xerox copier, which within a single contained print run makes in an audio recording, a booklet and a printed image.
└ from 05 — Wiels Artbook Fair


For our event series within the context of the 'Pushing Scores' project, we programmed this evening after we got in touch with Telcosystems about their 'Resonanz' publication.
└ from 07 — Pu-sh-ing-Sco-res Event


As a production platform, specialised in the relationship between sound, art, publishing and performance, DE PLAYER presents works by artists within the frame of the project 'Pushing Scores' – an ongoing project by DE PLAYER and Dutch graphic designer Remco van Bladel.
└ from 08 — Art Rotterdam Presentation


The initiatives gather within a part of the programme called 'Intersections'.
└ from 08 — Art Rotterdam Presentation


TGC#3 is compiled in collaboration with the students of XPUB, a course within the Master of Media Design and Communication at the Piet Zwart Institute, Rotterdam.
└ from 09 — MAT>NET>PU TGC3 Presentation


HELGA JAKOBSON (CA) Whether culminating in actions or objects, Helga Jakobson's work responds to conditions of limbo within existence and acts as a platform to confront the unknown, focusing on death, time and ephemerality.
└ from 09 — MAT>NET>PU TGC3 Presentation


Jakobson has great reverence for intuition and it's use as a technology within her work.
└ from 09 — MAT>NET>PU TGC3 Presentation


Valentina Vuksic will also bring a live performance in which she approaches computers with transducers that transform electromagnetic radiation into sound within choreographed setups.
└ from 10 — Valentina Vuksic


We knew that Remco had written an essay called 'Musical Theories in Graphic Design' – on the subject of graphic notation within a broader field of theory formation in contemporary music – and felt it would be a good match to work together on a research project about the graphic score.
└ from 13 — Remco van Bladel


In his 2002 essay 'Musical Theories in Graphic Design', Bladel discussed the subject of graphic notation within a broader field of theory formation in contemporary music.
└ from 13 — Remco van Bladel


It was an investigation into methodologies within his own artistic practice.
└ from 13 — Remco van Bladel


The idea of 'anitation' and the work of Guðmundur Steinn Gunnarsson fits perfectly within 'Pushing Scores'.
└ from 22 — Anitation


By acting consistently within these structures he creates his works.
└ from 24 — Johannes Kreidler


The multi-arm record players, on which several timelines can be played, intertwine the juxtaposition of temporalities and imagined narratives trapped within the collection.
└ from 25 — Ana Guedes


It’s mostly really low sounds that you have to transpose up three times to get within human hearing range.
└ from 27 — BJ Nilsen


By emphasising this aspect of the machine as a musical entrepreneur earning his own income, the conditions of mechanised labour within the cultural industry, and its associated ethics, are investigated within this project.
└ from 29 — Niek Hilkmann


Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos, where he punched holes in piano cards to create extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI.
└ from 30 — Black Midi


As most of his work engages with highly political issues, we invited him to do a performance within the context of the event 'MUSIC & CAPITALISM'.
└ from 31 — Marco Fusinato


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