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Sentences that have when in common :


Graphic scores and notation have a long history dating back to the tenth century, when the Gregorian chants of the 'scola cantorum' were already being conducted through the writing of signs in the air.
└ from 01 — Pushing Scores Overview


We were discussing several projects and possibilities for collaboration with Defne Ayas and Samuel Saelemakers of Witte de With Center for Contemporary Art when they asked us to participate in Charlemagne Palestine's exhibition 'GesammttkkunnsttMeshuggahhLaandtttt' by organising a live event.
└ from 04 — Noting Denoting


The sequencer controller is a reed switch matrix that, when a magnet is present, allows step pulses to pass to digital switches that bridge the original Casio keys.
└ from 06 — Principium 2.0 Publication


I don't know if I need to go into too much technical detail, but the sequencer controller is just a reed switch matrix that, when a magnet is present, allow step pulses to pass to digital switches that bridge the original Casio keys.
└ from 06 — Principium 2.0 Publication


And I never gave it that much thought, but the fact that when you stick magnets somewhere it makes a musical phrase, well, I guess to some people that would be wizardry, hah.
└ from 06 — Principium 2.0 Publication


The next step was when Peter Fengler of DEPLAYER/DOB Records said he wanted to do a record with the Casio version.
└ from 06 — Principium 2.0 Publication


And I really like it when people are enthusiastic, so I said yes, obviously.
└ from 06 — Principium 2.0 Publication


Which also makes for much more interesting overlaps when played together.
└ from 06 — Principium 2.0 Publication


Basically, the program decided for me which records to play, whether to repeat them or not when they were finished, whether to leave the turntable empty, whether the electronics should punch holes in the sound when a magnet was detected or the opposite, how may magnets on each turntable and the playback volume.
└ from 06 — Principium 2.0 Publication


In contrast to the composer or musician who perceives the record first and foremost as a vehicle transporting his or her musical ideas, here the interest lies especially in the optical/sculptural, as well as the acoustic presence and the compression of an idea when working with the playback possibilities and impossibilities of recording techniques.
└ from 07 — Pu-sh-ing-Sco-res Event


From this standpoint the configurations are only worthwhile when they produce new, previously unknown, relationships.
└ from 07 — Pu-sh-ing-Sco-res Event


Steve Joy took me to meet George Brecht in his studio when I was in-residence at St Michael's in Manhattan in 1962.
└ from 17 — Event Scores


I brought Steve Joy to St. Vincent College when I returned to the monastery from Paris in 1963.
└ from 17 — Event Scores


Orientation with regard to giving meaning changes by inserting moments when improper use of thought, material and technology takes place.
└ from 20 — Concrete Poetry


The animations of Gunnarsson were also used by Goodiepal when he visited DE PLAYER on 17 Dec 2015 with his project on Icelandic animated notation.
└ from 22 — Anitation


Johannes Kreidler is a special case when it comes to composing.
└ from 24 — Johannes Kreidler


This makes it particularly interesting when viewed from the perspective of experimentation and unorthodox composing.
└ from 24 — Johannes Kreidler


In searching I began imagining where I would make a web, and then marvelling when I would find one in the most unlikely place, which only enchants me further into the world of spiders and webs and mythology.
└ from 26 — Helga Jakobson


Of course, it only becomes interesting when the resources on earth are exhausted.
└ from 27 — BJ Nilsen


It's absurd when you start to think about it.
└ from 27 — BJ Nilsen


When the mill was in full operation the only time when we woke up in the night was when the train was not going.
└ from 27 — BJ Nilsen


We were living quite close to the railway, so when the train did not run we knew instantaneously that something had happened, either in the mine or in the mill.
└ from 27 — BJ Nilsen


The term 'black MIDI' is derived from how there are so many notes in each piece that the score would look nearly black (or would look really black) when transposed to the form of traditional sheet music.
└ from 30 — Black Midi


In 'Spectral Arrows', Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours.
└ from 31 — Marco Fusinato


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