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Sentences that have were in common :


Graphic scores and notation have a long history dating back to the tenth century, when the Gregorian chants of the 'scola cantorum' were already being conducted through the writing of signs in the air.
└ from 01 — Pushing Scores Overview


We were discussing several projects and possibilities for collaboration with Defne Ayas and Samuel Saelemakers of Witte de With Center for Contemporary Art when they asked us to participate in Charlemagne Palestine's exhibition 'GesammttkkunnsttMeshuggahhLaandtttt' by organising a live event.
└ from 04 — Noting Denoting


Nevertheless, he showed me some books he once made in New York, which he said were to be seen as musical scores.
└ from 04 — Noting Denoting


These books were the starting point for curating the event, which subsequently sat within our 'Pushing Scores' project.
└ from 04 — Noting Denoting


Yann Gourdon was asked to do a hurry-curdy noisette while Charlemagne's books were projected page by page on the wall.
└ from 04 — Noting Denoting


The funny thing is that after the presentation at Stadslimiet, the recordings of this eight-hour performance were edited back to a 12" vinyl record, which was released by the label Ultra Eczema shortly after.
└ from 06 — Principium 2.0 Publication


But there were several reasons for me to hold back a little on the idea.
└ from 06 — Principium 2.0 Publication


I played around with filtering and octaves, because during testing we'd found that if we used slowly evolving records, the results were a lot more interesting.
└ from 06 — Principium 2.0 Publication


Basically, the program decided for me which records to play, whether to repeat them or not when they were finished, whether to leave the turntable empty, whether the electronics should punch holes in the sound when a magnet was detected or the opposite, how may magnets on each turntable and the playback volume.
└ from 06 — Principium 2.0 Publication


DE PLAYER: Dennis said you were not really keen on doing this record at first.
└ from 06 — Principium 2.0 Publication


Kris Delacourt: There were some people there that sat through the whole thing, yes.
└ from 06 — Principium 2.0 Publication


DE PLAYER: I could say that the 10" records were vinyl records as a tool, and that this LP is a vinyl record as a product.
└ from 06 — Principium 2.0 Publication


They were intended as a release, and therefore a product, just as well.
└ from 06 — Principium 2.0 Publication


DE PLAYER: You release this album as a Remörk album, but there were more people involved in this project than just you.
└ from 06 — Principium 2.0 Publication


The only things remotely close to jumpcuts that are on this record were due to the electronics of the installation, the sensors turning the sound on and off.
└ from 06 — Principium 2.0 Publication


But they were live events, not editing choices made afterwards.
└ from 06 — Principium 2.0 Publication


These signs, or 'neumens', were written down, modified or not, first without any reference line.
└ from 11 — Para-phonic Poly-disco


Later, the neumens – depending on the relative pitch differences – were noted above, on or below a line referring to a pitch determined by the choral conductor.
└ from 11 — Para-phonic Poly-disco


Vector graphics were widely adopted by video game manufacturers in the late 1970s due to their computational efficiency, and the wealth of experience using them that the history of analogue computing provided.
└ from 16 — Tektronix Oscilloscope Music


Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles.
└ from 17 — Event Scores


These signs, or 'neumens', were written down, modified or not, first without any reference line.
└ from 18 — Dirigeerstok


Later, the neumens – depending on the relative pitch differences – were noted above, on or below a line referring to a pitch determined by the choral conductor.
└ from 18 — Dirigeerstok


This rhythmic language and animated notation, and the structural methods he uses in composition, were the subject of his Master's thesis at Mills College.
└ from 21 — Animated Notation


This rhythmic language and animated notation, and their subsequent structural methods, were the subject of Guðmundur Steinn Gunnarsson's Master's thesis at Mills College.
└ from 22 — Anitation


The animations of Gunnarsson were also used by Goodiepal when he visited DE PLAYER on 17 Dec 2015 with his project on Icelandic animated notation.
└ from 22 — Anitation


He gave a lecture on this subject and played several pieces with Daniel S. Bøtcher, Grøn, Nynne Roberta Pedersen, amongst which some were by Gunnarsson.
└ from 22 — Anitation


Before God needed to be invented there were man.
└ from 23 — Silence


A few cubic metres of printed matter were placed in the reception hall of the GEMA office.
└ from 24 — Johannes Kreidler


Besides the share prices, some other statistics were used, such as the number of American soldiers killed in Iraq.
└ from 24 — Johannes Kreidler


For much less money than Kreidler himself received as a commission, he had pieces ready for concert that were made for him in China and India.
└ from 24 — Johannes Kreidler


The vinyls were purchased in Angola, Portugal and Canada from the 60s to the early 80s and have travelled over three continents.
└ from 25 — Ana Guedes


The webs I've chosen for this publication were harvested in the fall of 2018, after the first snowfall in Winnipeg, Canada.
└ from 26 — Helga Jakobson


We had an appointment and it was immediately clear that this project was of interest to us and we decided to present her prototype at an event in which other inventive ways of sound making were presented.
└ from 26 — Helga Jakobson


Some of the recordings were finally mixed in the studios of GRM.
└ from 27 — BJ Nilsen


We thought he would fit very well in the 'E-ARTHHA' event with Douglas Kahn that we were already busy with planning.
└ from 27 — BJ Nilsen


But the chronology is interrupted a couple of times, and the different time planes are cut-up; they interact and overlap, because I mix sound recordings that were done at different times.
└ from 27 — BJ Nilsen


When they were cleaning the old silos they flushed everything out into the slambanken.
└ from 27 — BJ Nilsen


We were living quite close to the railway, so when the train did not run we knew instantaneously that something had happened, either in the mine or in the mill.
└ from 27 — BJ Nilsen


In its beginning years, black MIDIs were represented visually with traditional two-stave piano sheet music, and contained a number of notes only in the thousands.
└ from 30 — Black Midi


They were created with MIDI sequencers such as Music Studio Producer and Singer Song Writer, and played through MIDI players such as MAMPlayer and Timidity++.
└ from 30 — Black Midi


People were guided to the eighth floor and into the directors room, which was darkened with newspapers stacked on the windows.
└ from 31 — Marco Fusinato


Good food and drinks were served.
└ from 31 — Marco Fusinato


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