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Sentences that have we in common :


The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air, to the standard notation of the Western music we know today and the possibilities offered by new computer technologies.
└ from 01 — Pushing Scores Overview


Thu 09 Feb 2017 12:00–Sun 12 Feb 2017 18:00 @ ART Rotterdam/Van Nelle Fabriek, Rotterdam 'PUSHING SCORES' AT ART ROTTERDAM For ART Rotterdam 2010 we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
└ from 01 — Pushing Scores Overview


Focusing on the potential of graphic scores and the publishing of sound and image, we present Telcosystems alongside their recent publication 'Resonanz', a reading from 'Schematic as a Score' and a concert by Derek Holzer and a live performance by Julia Bünnagel with modified records.
└ from 01 — Pushing Scores Overview


The first stop is at Pinkie Bowtie, Antwerp, where we will introduce the entity of TGC#3 as the an unknown music magazine that it is, while pointing out its specific features by demonstrating the floppy works that already reside in the collection.
└ from 01 — Pushing Scores Overview


By travelling with TGC#3 we aim to expand its floppy collection and to focus on experimental ways of publishing.
└ from 01 — Pushing Scores Overview


For the Pinkie Bowtie session we invited Antwerp-based artists to contribute to the project.
└ from 01 — Pushing Scores Overview


Thu 29 Nov 2018 20:00 @ Varia, Rotterdam ARCHIVING 'PUSHING SCORES' WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMANN AND MORE For this event we will focus on archiving our 'Pushing Scores' project.
└ from 01 — Pushing Scores Overview


This project, which focuses on what we have come to refer to as the ‘graphic score’, has been running over the last two to three years.
└ from 01 — Pushing Scores Overview


Later on, this developed into the type of musical notation we are familiar with in Western music.
└ from 01 — Pushing Scores Overview


In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate.
└ from 01 — Pushing Scores Overview


Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation.
└ from 01 — Pushing Scores Overview


The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air, to the standard notation of the Western music we know today and the possibilities offered by new computer technologies.
└ from 04 — Noting Denoting


I already knew the work of Charlemagne and we had also met during earlier events, so it was instantly clear that we could do something together that would make sense for the exhibition and ourselves.
└ from 04 — Noting Denoting


Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine' by Vaast Colson, produced on a 'prepared copier' At the 2016 WIELS Art Book Fair we presented this live-made, copy-zine by Vaast Colson named 'Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine', which was produced on a 'prepared copier'.
└ from 05 — Wiels Artbook Fair


We had previously worked with Kris Delacourt on 'Principium 2.0', which is a reinterpretation of Colson’s work 'Principium', and so it was a natural progression that we then asked Colson to work on a sound publication with us.
└ from 05 — Wiels Artbook Fair


Nevertheless, we finally fine-tuned concepts and decided not produce recordings but to embed the concept of 'Principium' into a two-in-one record and a music tool.
└ from 06 — Principium 2.0 Publication


Anyway, Vaast was putting together a show where other people would do reinterpretations of some of his works, and around the same time we had a nice chat about alternative musical scores, graphic scores and what not.
└ from 06 — Principium 2.0 Publication


So we discussed other possibilities, like capturing a live performance, or possibly even cutting records on the fly with his vinyl lathe.
└ from 06 — Principium 2.0 Publication


So we put two and two together, and ended up doing twelve 10" lathe cuts (which came in a box with those electronic switches), with eight magnets each as based on the original grid and a 12" metal platter to sit under the 10" for the magnets to stick to.
└ from 06 — Principium 2.0 Publication


I played around with filtering and octaves, because during testing we'd found that if we used slowly evolving records, the results were a lot more interesting.
└ from 06 — Principium 2.0 Publication


If we just used test tones, so to speak, you end up with something close to Morse code.
└ from 06 — Principium 2.0 Publication


Vaast and Dennis Tyfus of Ultra Eczema run a space in Antwerp together called Stadslimiet, and that's where we had the record presentation.
└ from 06 — Principium 2.0 Publication


Funny thing was that we’d agreed to let it run until 23:00, and at about two minutes to then I got the first ever instruction to leave all the turntables empty.
└ from 06 — Principium 2.0 Publication


And the same goes for this record on Ultra Eczema: I have to say I'm really happy we finally got an Ultra Eczema release together, it's something Dennis had been asking for for quite some time... He’d actually given up asking.
└ from 06 — Principium 2.0 Publication


Focusing on the potential of graphic scores and the publishing of sound and image, we present Telcosystems alongside their recent publication 'Resonanz', a reading from 'Schematic as a Score' as well as a concert by Derek Holzer and a live performance by Julia Bünnagel with modified records.
└ from 07 — Pu-sh-ing-Sco-res Event


In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate.
└ from 07 — Pu-sh-ing-Sco-res Event


Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation.
└ from 07 — Pu-sh-ing-Sco-res Event


For our event series within the context of the 'Pushing Scores' project, we programmed this evening after we got in touch with Telcosystems about their 'Resonanz' publication.
└ from 07 — Pu-sh-ing-Sco-res Event


To complete the event we searched for two completely different approaches to composition.
└ from 07 — Pu-sh-ing-Sco-res Event


As production, meaning here productive creation, above all serves the human condition, we must attempt to further our purposes of creative production through the uses of those apparatuses or methods which until now have been used only for reproduction purposes.
└ from 07 — Pu-sh-ing-Sco-res Event


Pushing Scores 20 Jan 2019 @ ART Rotterdam, Rotterdam with Moniker, Rafaël Rozendaal, Luuk Bouwman, Telcosystems, Remco van Bladel For ART Rotterdam 2017 we are pleased to present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
└ from 08 — Art Rotterdam Presentation


For a certain period we regularly took part in ART Rotterdam – an annual art fair in which commercial galleries and artist-run initiatives take part.
└ from 08 — Art Rotterdam Presentation


For this year's festival, it was clear to us that we should present the 'Pushing Scores' project.
└ from 08 — Art Rotterdam Presentation


Within this framework we presented newly produced works, made specifically for 'Pushing Scores', alongside existing works that we thought would be interesting to combine.
└ from 08 — Art Rotterdam Presentation


By doing so, we developed a multidimensional approach to the tactics that can be used for making scores and how the outcomes could finally exist as a tradable object.
└ from 08 — Art Rotterdam Presentation


ARCHIVING 'PUSHING SCORES' WITH VALENTINA VUKSIC, ANA GUEDES, VARIA AND NIEK HILKMANN Thu 29 Nov 2018 20:00 @ Varia, Rotterdam During this evening we will focus on archiving our 'Pushing Scores' project, a project interrogating the meaning of the 'graphic score' that has been running for the last two to three years.
└ from 10 — Valentina Vuksic


After learning of Attali's book, 'Noise: The Political Economy of Music', we used it as inspiration for the project 'Pushing Scores'.
└ from 12 — Jacques Attali


Because of this ambiguity, we are interested in what this stage of music could represent.
└ from 12 — Jacques Attali


For 'Pushing Scores', we invited him to make special work for a limited edition.
└ from 19 — Jörg Piringer


Within 'Radical Listening' we want to see what the possibilities of communication and publishing are with the current means that are available to us.
└ from 20 — Concrete Poetry


They had been performing before we started the 'Pushing Scores' project, yet we nevertheless claim their work to be part of it.
└ from 21 — Animated Notation


But how can we score something not present, yet also not absent?
└ from 23 — Silence


In the context of an experimental music notation, seeking to make an instrumental gesture of silence, how can we draw incipience?
└ from 23 — Silence


We asked Johannes to do a reading about his practice as a composer during the event we organised around music and capitalism.
└ from 24 — Johannes Kreidler


Following this, we also produced a record with him, which contains one piece of his named 'Product Placements'.
└ from 24 — Johannes Kreidler


We had an appointment and it was immediately clear that this project was of interest to us and we decided to present her prototype at an event in which other inventive ways of sound making were presented.
└ from 26 — Helga Jakobson


This project, named 'Arachnes Sonifier', became more and more developed over time and we will soon publish an album (DOB094) including the sound, images and conceptual information on our label.
└ from 26 — Helga Jakobson


Thus, different layers of time are presented, from slowly unfolding sounds that represent a deep geological time, to sounds of transport, to the kind of sounds that we recognise as science fiction to indicate the future.
└ from 27 — BJ Nilsen


The idea is that you find an asteroid that is really rich in some rare metal that we really need and that one can claim.
└ from 27 — BJ Nilsen


We thought he would fit very well in the 'E-ARTHHA' event with Douglas Kahn that we were already busy with planning.
└ from 27 — BJ Nilsen


It just turned out that way, perhaps because that's how we generally tend to structure material.
└ from 27 — BJ Nilsen


In that way I present different layers of time, from slowly unfolding sounds that represent deep geological time, to sounds of transport, to the sort of sounds we recognise as science fiction to denote the future.
└ from 27 — BJ Nilsen


We took samples and ran them through the laboratory in order to identify how many tons of final concentrate we would be able to get out of the slambanken.
└ from 27 — BJ Nilsen


When the mill was in full operation the only time when we woke up in the night was when the train was not going.
└ from 27 — BJ Nilsen


We were living quite close to the railway, so when the train did not run we knew instantaneously that something had happened, either in the mine or in the mill.
└ from 27 — BJ Nilsen


What shifts will we see?
└ from 27 — BJ Nilsen


It made me recognise again how close we are to the source of ore, and how my development as an artist was shaped by iron ore.' 'The iron ore is refined and filtered, making sure the pure magnetite comes out.
└ from 27 — BJ Nilsen


When we met we had discussions about several professional subjects and decided to realise a publication.
└ from 28 — John Duncan


He has a particular interest in the abstruse technological condition we are living in and the insufficient intellectual methodologies that seek to justify, or explain it.
└ from 29 — Niek Hilkmann


It is based in Rotterdam in the same area that we operate in.
└ from 29 — Niek Hilkmann


Instead of making a paintwork publication, we wanted it to be more adventurous and in line with the concept of the project.
└ from 29 — Niek Hilkmann


For this we published 8" records with artists and labels.
└ from 31 — Marco Fusinato


As most of his work engages with highly political issues, we invited him to do a performance within the context of the event 'MUSIC & CAPITALISM'.
└ from 31 — Marco Fusinato


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