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Sentences that have two in common :


This project, which focuses on what we have come to refer to as the ‘graphic score’, has been running over the last two to three years.
└ from 01 — Pushing Scores Overview


Pushing Scores' is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
└ from 01 — Pushing Scores Overview


Nevertheless, we finally fine-tuned concepts and decided not produce recordings but to embed the concept of 'Principium' into a two-in-one record and a music tool.
└ from 06 — Principium 2.0 Publication


Colson made two booklets in the 'Principium' series – comprised of reproductions of each used sticker sheet and the result.
└ from 06 — Principium 2.0 Publication


So he showed me the two booklets he made for the 'Principium' series – reproductions of each used sticker sheet and the result.
└ from 06 — Principium 2.0 Publication


So we put two and two together, and ended up doing twelve 10" lathe cuts (which came in a box with those electronic switches), with eight magnets each as based on the original grid and a 12" metal platter to sit under the 10" for the magnets to stick to.
└ from 06 — Principium 2.0 Publication


I decided to stop worrying, which after two years of doubting might not be such a bad thing, and did a ten-minute improvised recording on organ and MS20, playing only C notes.
└ from 06 — Principium 2.0 Publication


Peter brought six record players, matching the six colours of the vinyl nicely – two notes each.
└ from 06 — Principium 2.0 Publication


Funny thing was that we’d agreed to let it run until 23:00, and at about two minutes to then I got the first ever instruction to leave all the turntables empty.
└ from 06 — Principium 2.0 Publication


I can still see unexplored possibilities there – as an installation, or as a truly playable musical instrument, and even those two do not have to be mutually exclusive.
└ from 06 — Principium 2.0 Publication


It took me about two months to sit through all eight hours, and put markers and comments with bits I liked more than others.
└ from 06 — Principium 2.0 Publication


Kris Delacourt: If you force me to choose between those two, then drone.
└ from 06 — Principium 2.0 Publication


To complete the event we searched for two completely different approaches to composition.
└ from 07 — Pu-sh-ing-Sco-res Event


HIELE MARTENS (BE) Sometimes 1 + 1 is greater than the sum of its parts, but if you put two of Belgium's finest composers and musicians together, it adds up to an infinite number.
└ from 09 — MAT>NET>PU TGC3 Presentation


Bergmark is the ultimate rethinker of what music can be, in sound and in performance, evidenced by the fact that you can sometimes find him hanging on two piano strings from a ceiling.
└ from 09 — MAT>NET>PU TGC3 Presentation


The concept of the course revolves around two core principles: First, the inquiry into the technological, political and cultural processes through which things are made public; and second, the desire to expand the notion of publishing beyond print media and its direct digital translation.
└ from 09 — MAT>NET>PU TGC3 Presentation


ARCHIVING 'PUSHING SCORES' WITH VALENTINA VUKSIC, ANA GUEDES, VARIA AND NIEK HILKMANN Thu 29 Nov 2018 20:00 @ Varia, Rotterdam During this evening we will focus on archiving our 'Pushing Scores' project, a project interrogating the meaning of the 'graphic score' that has been running for the last two to three years.
└ from 10 — Valentina Vuksic


The work consists of two parts: 1.
└ from 11 — Para-phonic Poly-disco


It combined a two-player interface with physics models of a bouncing ball displayed as vectors in motion, and is arguably the first publicly playable video game.
└ from 16 — Tektronix Oscilloscope Music


Fricatives' are consonants produced by forcing air through a narrow channel made by placing two articulators close together.
└ from 19 — Jörg Piringer


Source: http://www.newcriticals.com/deep-mining-deep-time/page-3 Mineral commodities used in mobile devices: Gallium (from bauxite), Germanium (from sphalerite) Graphite Indium (from sphalerite) Lithium (from amblygonite, petalite, lepidolite and spodumene) Platinum Potassium (from langbeinite, sylvite and sylvinite) Rare-earth elements (like bastnäsite, loparite, monazite and xenotime) Sand Silicon (from quartz) Silver (from argentite and tetrahedrite) Tantalum (from columbite and tantalite) Tin (from cassiterite) Tungsten (from scheelite and wolframite) Source: https://pubs.usgs.gov/gip/0167/gip167.pdf Chemical structure of the products of Sydvaranger mine, Kirkenes: Fe – 68% SiO2 – 5.00 Al2O3 – 0.30 S – 0.08 P – 0.01 Mn – 0.05 Na2O – 0.01 K2O – 0.03 CaO – 0.35 MgO – 0.45 H2O – 8.00 Size of the product: Over 0.15mm – less than 0.2% 0.053mm–0.15mm – less than 20% Under 0.053mm – up to 80% Source: http://sydvarangergruve.no/produkt 'In mining there are two types of waste.
└ from 27 — BJ Nilsen


Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos, where he punched holes in piano cards to create extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI.
└ from 30 — Black Midi


It was uploaded to the site ‘Nico Nico Douga’ in 2009, and public awareness of black MIDI started to spread from Japan to China and Korea over the following two years.
└ from 30 — Black Midi


In its beginning years, black MIDIs were represented visually with traditional two-stave piano sheet music, and contained a number of notes only in the thousands.
└ from 30 — Black Midi


The two largest black MIDIs are 'Armageddon v3' and 'TheTrueEnd', both of which contain the maximum number of notes allowed in the MIDI standard (about ninty-three trillion).
└ from 30 — Black Midi


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