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Thirteen of these scores will be on show on the billboards underneath Metrostation Maashaven.
└ from 01 — Pushing Scores Overview


All these scores then had to come together in one magazine/object.
└ from 02 — Release - Tetra Gamma Circulaire 3


He then reassembled these line segments into new shapes and new lines.
└ from 06 — Principium 2.0 Publication


He made these beautiful pieces where he used tiny paper sticker dots, you know the ones that most art galleries use to denote which works in a show have been sold?
└ from 06 — Principium 2.0 Publication


Now, Peter is a really nice guy and really clever with these things, and I guess he understood my doubts.
└ from 06 — Principium 2.0 Publication


Telcosystems' installations and films focus on real-time, self-structuring, generative processes, and in their live performances they focus on the interaction with these processes.
└ from 07 — Pu-sh-ing-Sco-res Event


Telcosystems’ installations and films focus on real-time, self-structuring, generative processes, and in their live performances they focus on the interaction with these processes.
└ from 07 — Pu-sh-ing-Sco-res Event


The main threads that run between these interests are the experience of women, their traditional work and their sharing of knowledge.
└ from 09 — MAT>NET>PU TGC3 Presentation


The local WiFi station makes it possible to access all projects (on floppy disk) by receiving these projects via a mobile phone or on the computer.
└ from 09 — MAT>NET>PU TGC3 Presentation


By writing choreographies for software and computer elements, she utilises these technologies as actors in software/noise pieces for, and in, computers.
└ from 10 — Valentina Vuksic


Yet these alternate approaches brought us together and made 'Pushing Scores' real.
└ from 13 — Remco van Bladel


As Friedrich Kittler has observed, the relationship of media technology to military tools of destruction was sealed by moments such as these.
└ from 16 — Tektronix Oscilloscope Music


Perhaps the most iconic of these games is Asteroids', a space shooter released by Atari in 1979.
└ from 16 — Tektronix Oscilloscope Music


The foundation of language as an information transmission is the foundation of these tendencies and is at the heart of the oral tradition principle, influencing how stories can be told, how traditions are passed on, how the past feeds the present and how the present forms itself by muttering the past.
└ from 20 — Concrete Poetry


By acting consistently within these structures he creates his works.
└ from 24 — Johannes Kreidler


The AEX index, outsourcing of labour or copyright processes and social questions and implications around these issues form the fundament of some of his compositions.
└ from 24 — Johannes Kreidler


What I like about these recordings is that they already have been processed through the rock and soil and transposed into human hearing range...
└ from 27 — BJ Nilsen


We trace out all the veins of the earth, and yet, living upon it, undermined as it is beneath our feet, are astonished that it should occasionally cleave asunder or tremble: As though, forsooth, these signs could be any other than expressions of the indignation felt by our sacred parent!
└ from 27 — BJ Nilsen


You cannot talk about mining in the North without getting into the question of what it means for the landscape, for the people and the animals living there, for the communities and the relations between all these.
└ from 27 — BJ Nilsen


The first of these tracks to reach the million-note mark was that of 'Necrofantasia' from the Touhou Project video game 'Perfect Cherry Blossom', arranged by TheTrustedComputer.
└ from 30 — Black Midi


One of these labels was Circle Records, which had been up and running for a few years, headed by John Nixon, Julian Dashper and Marc Fusinato.
└ from 31 — Marco Fusinato


Where a composition comprises more than one sheet, these are then singularly framed and installed sequentially on the gallery wall, creating an extraordinary graphic rendering of the energy of aural compression and expansion.
└ from 31 — Marco Fusinato


In these works, treated by Fusinato as propositions for new noise compositions, the qualities of each individual note and their relation to those around them are effectively compressed into a single point of intense concentration.
└ from 31 — Marco Fusinato


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