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Sentences that have there in common :


Next to this there will also be graphic works by students from the Graphic Design Department of ArtEZ University of the Arts, Arnhem.
└ from 01 — Pushing Scores Overview


So far Evelin Brosi, AMVK and JODI will show up to get informed about matters of relevance and will then start to produce their floppy work for the collection from there.
└ from 01 — Pushing Scores Overview


Fri 22 Jun 2018 20:30 @ DE PLAYER, Rotterdam 'E-ARTHHA' WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN AND MAX FRANKLIN As you may well know, there are those evenings after which the sun rises differently.
└ from 01 — Pushing Scores Overview


Next to this there will also be graphic works by students from the Graphic Design Department of ArtEZ University of the Arts, Arnhem.
└ from 04 — Noting Denoting


Because his work is pretty conceptual, you could say that there is always a strategy (call it a score) that operates as a framework underpinning his artistic output.
└ from 05 — Wiels Artbook Fair


He drew a number of random lines across the sticker sheets, and since there are eight by twelve stickers on a sheet you end up with tiny line segments marking each of the stickers.
└ from 06 — Principium 2.0 Publication


What he did was draw a bunch of random lines across the sticker sheets, and since there are eight by twelve stickers on a sheet you end up with stickers with tiny line segments drawn on them.
└ from 06 — Principium 2.0 Publication


But there were several reasons for me to hold back a little on the idea.
└ from 06 — Principium 2.0 Publication


For example, there's this box set which has records that have built-in radio transmitters, records with impossible shapes where you need to turn the stylus of your record player upside down.
└ from 06 — Principium 2.0 Publication


I can still see unexplored possibilities there – as an installation, or as a truly playable musical instrument, and even those two do not have to be mutually exclusive.
└ from 06 — Principium 2.0 Publication


There’s something appealing in the number twelve even, and there's the appeal of building instruments too.
└ from 06 — Principium 2.0 Publication


I guess my main fear was that by cutting chunks out of a much larger whole, you risk losing the context – and I'm still not sure what this record sounds like to people that weren't there.
└ from 06 — Principium 2.0 Publication


Were there people who actually listened to the whole eight-hour performance?
└ from 06 — Principium 2.0 Publication


Kris Delacourt: There were some people there that sat through the whole thing, yes.
└ from 06 — Principium 2.0 Publication


Kris Delacourt: I guess there was the point where I decided to just do a ten-minute organ improvisation, that was a bit of a turning point.
└ from 06 — Principium 2.0 Publication


DE PLAYER: You release this album as a Remörk album, but there were more people involved in this project than just you.
└ from 06 — Principium 2.0 Publication


I guess I am aiming for the best of both worlds there.
└ from 06 — Principium 2.0 Publication


As a dancer she is curious about why there is no universal graphic notation system in the dance.
└ from 09 — MAT>NET>PU TGC3 Presentation


Over the past few years there has been a strong response to the sterile world of sound and video from the laptop.
└ from 14 — Derek Holzer


Over the past few years there has been a strong response to the sterile world of sound and video from the laptop.
└ from 15 — Schematic as Design


In a multicultural situation, abstract sounds are forms of recognition; then there is, for example, music.
└ from 20 — Concrete Poetry


Is there a positive notation for this critical issue of performance, of silence in the voice, other than merely the courtesies of extended rests, or blanks in the score?
└ from 23 — Silence


Before God needed to be invented there were man.
└ from 23 — Silence


Before language there was the song.
└ from 23 — Silence


Before the song there was the yodel,' As Bart Plantenga stated in his reading on yodeling.
└ from 23 — Silence


In Japan there's a focus on the lure of the spider, where it is sometimes likened to a prostitute.
└ from 26 — Helga Jakobson


As a sound artist he realised how much sound there is in the mining industry and began to think in sonic terms about its impact and meaning.
└ from 27 — BJ Nilsen


The mountain just sits there.
└ from 27 — BJ Nilsen


I made field recordings in the winter; you hear ice crystals cracking because there was a layer of ice on the snow.
└ from 27 — BJ Nilsen


Throughout the landscape there are sacred stones that are very important to them.
└ from 27 — BJ Nilsen


She still stores coal there in a small outhouse (called 'kullbingen').
└ from 27 — BJ Nilsen


I also visited Most in the Czech Republic because there is a huge operational open pit mine.
└ from 27 — BJ Nilsen


And then there are sounds used for seismic interferometry: The decoding of ambient seismic noise, micro earthquakes and also surface bound sounds.
└ from 27 — BJ Nilsen


Without tantalum and niobium, there are no micro-capacitors; without gallium, no photovoltaics.
└ from 27 — BJ Nilsen


Source: http://www.newcriticals.com/deep-mining-deep-time/page-3 Mineral commodities used in mobile devices: Gallium (from bauxite), Germanium (from sphalerite) Graphite Indium (from sphalerite) Lithium (from amblygonite, petalite, lepidolite and spodumene) Platinum Potassium (from langbeinite, sylvite and sylvinite) Rare-earth elements (like bastnäsite, loparite, monazite and xenotime) Sand Silicon (from quartz) Silver (from argentite and tetrahedrite) Tantalum (from columbite and tantalite) Tin (from cassiterite) Tungsten (from scheelite and wolframite) Source: https://pubs.usgs.gov/gip/0167/gip167.pdf Chemical structure of the products of Sydvaranger mine, Kirkenes: Fe – 68% SiO2 – 5.00 Al2O3 – 0.30 S – 0.08 P – 0.01 Mn – 0.05 Na2O – 0.01 K2O – 0.03 CaO – 0.35 MgO – 0.45 H2O – 8.00 Size of the product: Over 0.15mm – less than 0.2% 0.053mm–0.15mm – less than 20% Under 0.053mm – up to 80% Source: http://sydvarangergruve.no/produkt 'In mining there are two types of waste.
└ from 27 — BJ Nilsen


The ore goes to a processing plant and there you take out the tailings and the rest is the waste of your process.
└ from 27 — BJ Nilsen


You have to take a boat to get there.
└ from 27 — BJ Nilsen


We have a tunnel that leads there.
└ from 27 — BJ Nilsen


You cannot talk about mining in the North without getting into the question of what it means for the landscape, for the people and the animals living there, for the communities and the relations between all these.
└ from 27 — BJ Nilsen


The relentless nature in the Arctic constantly reminds you that you are a human being and that you are not really supposed to be there because the harshness of the environment might kill you.
└ from 27 — BJ Nilsen


You can only survive there if you work with nature.
└ from 27 — BJ Nilsen


However, there is no specific criteria for what is considered 'black', and as a result, finding an exact origin of black MIDI is impossible.
└ from 30 — Black Midi


In that sense, there is never a perfect reproduction but always an interpretation.
└ from 30 — Black Midi


The black MIDI community in Japan vanished quickly because, according to Jason Nguyen (owner of the channel 'Gingeas'), the group was 'analogous to those TV shows where there’s a mysterious founder of a civilisation that is not really known throughout the course of the show.
└ from 30 — Black Midi


Despite this increased computer storage, there are still black MIDI files that could cause an operating system to slow down.
└ from 30 — Black Midi


The term 'black MIDI' is derived from how there are so many notes in each piece that the score would look nearly black (or would look really black) when transposed to the form of traditional sheet music.
└ from 30 — Black Midi


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