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Focusing on the potential of graphic scores and the publishing of sound and image, we present Telcosystems alongside their recent publication 'Resonanz', a reading from 'Schematic as a Score' and a concert by Derek Holzer and a live performance by Julia Bünnagel with modified records.
└ from 01 — Pushing Scores Overview


So far Evelin Brosi, AMVK and JODI will show up to get informed about matters of relevance and will then start to produce their floppy work for the collection from there.
└ from 01 — Pushing Scores Overview


Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone.
└ from 01 — Pushing Scores Overview


Hailing from other biotopes, our accompanying guests will all take different points of departure for their performances.
└ from 01 — Pushing Scores Overview


DE PLAYER was asked by the XPUB programme of Piet Zwart Institute to do a seminar during a three-month period with their students.
└ from 02 — Release - Tetra Gamma Circulaire 3


Each student had to develop their own project around the process of making a score.
└ from 02 — Release - Tetra Gamma Circulaire 3


He focuses mainly on acoustic phenomena that have a dynamic relationship with their environment.
└ from 04 — Noting Denoting


It's just that Kris Delacourt was so intrigued by the leftover sticker sheets, with their eight by twelve grid they just screamed 'SEQUENCER!
└ from 06 — Principium 2.0 Publication


The funny thing was that he thought his resulting collages would be nice to use as scores – and they probably would be – but it's just that I was so intrigued by the leftover sticker sheets, with their eight by twelve grid that just screamed 'SEQUENCER!
└ from 06 — Principium 2.0 Publication


So I went through eight hours of recordings, selecting bits that I liked and that I thought would be interesting enough to listen to as pieces in their own right, and not just as part of this monster performance.
└ from 06 — Principium 2.0 Publication


I think I ended up with five or six pieces that I though could hold their own on a record, four of which made the final cut.
└ from 06 — Principium 2.0 Publication


They're just new pieces in their own right.
└ from 06 — Principium 2.0 Publication


But I did try to select bits that I thought had a beauty or a strong appeal to them, an interesting evolution or whatever, so much so that I hope they can survive as musical pieces in their own right.
└ from 06 — Principium 2.0 Publication


Focusing on the potential of graphic scores and the publishing of sound and image, we present Telcosystems alongside their recent publication 'Resonanz', a reading from 'Schematic as a Score' as well as a concert by Derek Holzer and a live performance by Julia Bünnagel with modified records.
└ from 07 — Pu-sh-ing-Sco-res Event


In their audiovisual works, Telcosystems research the relation between the behavior of programmed numerical logic and the human perception of this behavior, aiming at an integration of human expression and programmed machine behavior.
└ from 07 — Pu-sh-ing-Sco-res Event


Telcosystems' installations and films focus on real-time, self-structuring, generative processes, and in their live performances they focus on the interaction with these processes.
└ from 07 — Pu-sh-ing-Sco-res Event


In their audiovisual works, Telcosystems research the relation between the behavior of programmed numerical logic and the human perception of this behavior, aiming at an integration of human expression and programmed machine behavior.
└ from 07 — Pu-sh-ing-Sco-res Event


Telcosystems’ installations and films focus on real-time, self-structuring, generative processes, and in their live performances they focus on the interaction with these processes.
└ from 07 — Pu-sh-ing-Sco-res Event


Artists and inventors such as Nam June Paik, Steina & Woody Vasulka, Don Buchla, Serge Tcherepnin, Dan Sandin and David Tudor all constructed their own unique instruments long before similar tools became commercially available or freely downloadable.
└ from 07 — Pu-sh-ing-Sco-res Event


Analogue electronic computers pre-date their digital counterparts by several decades, and one of the first practical applications of the analogue computer was in controlling the trajectories of German V2 rockets as they traced their rainbow of gravity from Flanders towards London during the Second World War.
└ from 07 — Pu-sh-ing-Sco-res Event


For our event series within the context of the 'Pushing Scores' project, we programmed this evening after we got in touch with Telcosystems about their 'Resonanz' publication.
└ from 07 — Pu-sh-ing-Sco-res Event


The main threads that run between these interests are the experience of women, their traditional work and their sharing of knowledge.
└ from 09 — MAT>NET>PU TGC3 Presentation


Using contact microphones, Bergmark reveals their hidden acoustics, dynamic scales and unique timbres.
└ from 09 — MAT>NET>PU TGC3 Presentation


The idea of a score functioned as a guideline to shape their project and to test the working process.
└ from 09 — MAT>NET>PU TGC3 Presentation


Through research into the act of improvisation in music, Max investigates ideas about liberation and resistance present in improvisation; both in artistic practices, and their broader application as a critical methodology of research and exploration.
└ from 09 — MAT>NET>PU TGC3 Presentation


Varia will host the evening, and explain their ideas and approach to developing the archive.
└ from 10 — Valentina Vuksic


In reaction to the dematerialisation of music (the general disappearance of music released in its physical form), the artists of the ARTKILLART label roster refocus their releases as material objects.
└ from 10 — Valentina Vuksic


PARA-PHONIC POLY-DISCO Fri 12 Jan 2018 20:30 @ The Small Museum at Paradiso, Amsterdam with Remco van Bladel 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone.
└ from 11 — Para-phonic Poly-disco


Paradiso invited Remco van Bladel to take part in their Small Museum project.
└ from 11 — Para-phonic Poly-disco


Many artists try to eliminate true, catastrophic failures by scripting, scoring, sequencing or programming their work in as many predictable, risk-free quantums as possible in advance.
└ from 14 — Derek Holzer


Artists and inventors such as Nam June Paik, Steina and Woody Vasulka, Don Buchla, Serge Tcherepnin, Dan Sandin and David Tudor all constructed their own unique instruments long before similar tools became commercially available or could be freely downloaded.
└ from 14 — Derek Holzer


Artists and inventors such as Nam June Paik, Steina & Woody Vasulka, Don Buchla, Serge Tcherepnin, Dan Sandin and David Tudor all constructed their own unique instruments long before similar tools became commercially available or could be freely downloaded.
└ from 15 — Schematic as Design


Analogue electronic computers pre-date their digital counterparts by several decades, and one of the first practical applications of the analogue computer was in controlling the trajectories of German V2 rockets as they traced their rainbow of gravity from Flanders towards London during the Second World War.
└ from 16 — Tektronix Oscilloscope Music


Buchla redesigned the existing function generators of analogue computers to respond to voltage controls of their frequency and amplitude.
└ from 16 — Tektronix Oscilloscope Music


Figures such as Heinz von Foerster, Gordon Pask, Nam June Paik, Steina & Woody Vasulka, Iannis Xenakis and R. Buckminster Fuller all speculated on the effect of computers on society, and used computer-derived forms in their work.
└ from 16 — Tektronix Oscilloscope Music


Vector graphics were widely adopted by video game manufacturers in the late 1970s due to their computational efficiency, and the wealth of experience using them that the history of analogue computing provided.
└ from 16 — Tektronix Oscilloscope Music


As electronics became cheaper, smaller and faster in the 1980s, the dated technology of using analogue vectors to directly manipulate a Cathode Ray Tube fell out of favor and rasterised graphics and animations, and moving image quickly took their place.
└ from 16 — Tektronix Oscilloscope Music


For his 'Vehicle Sundown Event', he published a set of about fifty cards to be given to participants who participated in the event with their vehicles.
└ from 17 — Event Scores


Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles.
└ from 17 — Event Scores


Of specific inspiration is the fact that his works are composed of simple instructions and can be performed by anybody, giving them a highly democratic factor without losing their artistic impact.
└ from 17 — Event Scores


They had been performing before we started the 'Pushing Scores' project, yet we nevertheless claim their work to be part of it.
└ from 21 — Animated Notation


This rhythmic language and animated notation, and their subsequent structural methods, were the subject of Guðmundur Steinn Gunnarsson's Master's thesis at Mills College.
└ from 22 — Anitation


Stained by the passage of time, scratched, with their covers eaten by moths, the records are signed and dated; they exist as passive witnesses of a displacement in time and space.
└ from 25 — Ana Guedes


When the webs are harvested, my hand affects their original form.
└ from 26 — Helga Jakobson


In actuality, they are visual representations of the spider's consciousness (who can forget Dr. Peter Witt’s experiments with drug use on spiders and their resulting webs).
└ from 26 — Helga Jakobson


In it he found the fragility of mining processes and the impact that mining activities have on the population and their biotope.
└ from 27 — BJ Nilsen


During an evening at the Varia collective, where Valentia Vuksic and Ana Guedes also played a live set and explained their work and backgrounds, Niek Hilkmann, who is part of the Varia team, presented his Universal Notation Ideal (UNI) – a Pay2Print research into the simultaneous production and distribution of standardised graphic scores by means of an automatic machine.
└ from 29 — Niek Hilkmann


Black MIDI is a beautiful example of how new technology/consumer electronics and their abuse lead to new implications and applications.
└ from 30 — Black Midi


Due to the nature of their creation and their sheer size, they are unable to be played back and recorded.
└ from 30 — Black Midi


Where people would normally be doing their office work, Marco now played for eight hours in the empty office building.
└ from 31 — Marco Fusinato


In these works, treated by Fusinato as propositions for new noise compositions, the qualities of each individual note and their relation to those around them are effectively compressed into a single point of intense concentration.
└ from 31 — Marco Fusinato


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