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Sentences that have some in common :


What are the possibilities of the graphic score in a day and age in which graphic notation is still commonly seen as 'drawing', merely serving as some kind of sheet music?
└ from 01 — Pushing Scores Overview


What are the possibilities of the graphic score, in a day and age in which graphic notation is still commonly seen as 'drawing', merely serving as some kind of sheet music?
└ from 01 — Pushing Scores Overview


Nevertheless, he showed me some books he once made in New York, which he said were to be seen as musical scores.
└ from 04 — Noting Denoting


We have known Vaast Colson to be an interesting artist for quite some time already.
└ from 05 — Wiels Artbook Fair


Principium 2.0' comes in the form of twelve records and this magnetic application, which follows very elementary rules – some old, some new.
└ from 06 — Principium 2.0 Publication


Colson then asked some artist to make reinterpretations of the works and from here the idea to use them as a music score originated.
└ from 06 — Principium 2.0 Publication


Anyway, Vaast was putting together a show where other people would do reinterpretations of some of his works, and around the same time we had a nice chat about alternative musical scores, graphic scores and what not.
└ from 06 — Principium 2.0 Publication


And at a certain point he posed something like: 'I've made some work that might be interesting to use as a score, would you be up for it?
└ from 06 — Principium 2.0 Publication


And I never gave it that much thought, but the fact that when you stick magnets somewhere it makes a musical phrase, well, I guess to some people that would be wizardry, hah.
└ from 06 — Principium 2.0 Publication


DOB Records have put out some crazy releases, really pushing the boundaries of what can be done with the medium of vinyl.
└ from 06 — Principium 2.0 Publication


I think the idea to make a vinyl record came after Dennis heard some of the selections and thought they shouldn’t be out on tape but on vinyl instead.
└ from 06 — Principium 2.0 Publication


But to be honest I've never even considered that – eight hours of material and endless editing possibilities, that's a nightmare.., The decision to have straight up documentation, just select bits instead of editing them some more, really made the selection process easier.
└ from 06 — Principium 2.0 Publication


Kris Delacourt: There were some people there that sat through the whole thing, yes.
└ from 06 — Principium 2.0 Publication


DE PLAYER: Weren't you afraid at some point that this whole idea would grow over your head, that it would become too complicated, too smart, too conceptual?
└ from 06 — Principium 2.0 Publication


And the same goes for this record on Ultra Eczema: I have to say I'm really happy we finally got an Ultra Eczema release together, it's something Dennis had been asking for for quite some time... He’d actually given up asking.
└ from 06 — Principium 2.0 Publication


Like I said, I know it's not easy listening per se, and some might probably find it boring at first try, with the tempo being the same for the whole record and all.
└ from 06 — Principium 2.0 Publication


What are the possibilities of graphic scores, in a day and age in which graphic notation is still commonly seen as a 'drawing', merely serving as some kind of sheet music?
└ from 07 — Pu-sh-ing-Sco-res Event


They approach DE PLAYER for some input surrounding the production and distribution of it, and because of the direct relation between sound and image, and the new interface an object like that represents, it was a clear match of interests.
└ from 07 — Pu-sh-ing-Sco-res Event


People could continuously listen to some audio publications (by Telcosystems, Cold Void and Davide Mosconi) as well take part in the production process by spraying new works for the next potential customer.
└ from 08 — Art Rotterdam Presentation


What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a 'drawing', merely serving as some kind of sheet music?
└ from 10 — Valentina Vuksic


We became familiar with the work of Derek Holzer through his project on tonewheels – an experiment in converting graphical imagery to sound, inspired by some of the pioneering twentieth century electronic music inventions.
└ from 14 — Derek Holzer


He gave a lecture on this subject and played several pieces with Daniel S. Bøtcher, Grøn, Nynne Roberta Pedersen, amongst which some were by Gunnarsson.
└ from 22 — Anitation


Besides the share prices, some other statistics were used, such as the number of American soldiers killed in Iraq.
└ from 24 — Johannes Kreidler


The AEX index, outsourcing of labour or copyright processes and social questions and implications around these issues form the fundament of some of his compositions.
└ from 24 — Johannes Kreidler


The idea is that you find an asteroid that is really rich in some rare metal that we really need and that one can claim.
└ from 27 — BJ Nilsen


For this event, Kahn did some kind of improvisation session on the works of the three invited artists.
└ from 27 — BJ Nilsen


We already knew some of its members and thought it would be nice and effective to approach them with a question of doing something with the archive of 'Pushing Scores'.
└ from 29 — Niek Hilkmann


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