[x] so ▶

Sentences that have so in common :


Just so you can see them day and night, for roughly three weeks long.
└ from 01 — Pushing Scores Overview


I already knew the work of Charlemagne and we had also met during earlier events, so it was instantly clear that we could do something together that would make sense for the exhibition and ourselves.
└ from 04 — Noting Denoting


We had previously worked with Kris Delacourt on 'Principium 2.0', which is a reinterpretation of Colson’s work 'Principium', and so it was a natural progression that we then asked Colson to work on a sound publication with us.
└ from 05 — Wiels Artbook Fair


It's just that Kris Delacourt was so intrigued by the leftover sticker sheets, with their eight by twelve grid they just screamed 'SEQUENCER!
└ from 06 — Principium 2.0 Publication


And so, he went on to design 'Principium 1.0'; a magnetic board with the same field as the sticker sheets, which he activated with magnets as a synthesizer.
└ from 06 — Principium 2.0 Publication


DE PLAYER: I've been following the 'Principium' story on your blog, which dates back to the summer of 2012, so four years ago.
└ from 06 — Principium 2.0 Publication


The funny thing was that he thought his resulting collages would be nice to use as scores – and they probably would be – but it's just that I was so intrigued by the leftover sticker sheets, with their eight by twelve grid that just screamed 'SEQUENCER!
└ from 06 — Principium 2.0 Publication


The idea was to put white magnets on top of the coloured dots to blank them out, so you end up with something analogous to taking a sticker off the sheet – a white space in a field of colour.
└ from 06 — Principium 2.0 Publication


I was really happy with the results, and especially with the fact that it's so inviting towards an audience.
└ from 06 — Principium 2.0 Publication


And I really like it when people are enthusiastic, so I said yes, obviously.
└ from 06 — Principium 2.0 Publication


The first hesitation was that the Casio version really works best through audience interaction – people moving magnets around, changing the sounds on the keyboard and so on.
└ from 06 — Principium 2.0 Publication


If we just used test tones, so to speak, you end up with something close to Morse code.
└ from 06 — Principium 2.0 Publication


And I don't mind a good concept now and then, but I guess I'm too much of a musician, so I went for what was more appealing to me musically.
└ from 06 — Principium 2.0 Publication


The thing is, each of the eight hours had the turntables spinning at 33rpm, so the basic underlying tempo never changes.
└ from 06 — Principium 2.0 Publication


And so on, until you really narrow it down.
└ from 06 — Principium 2.0 Publication


It was continually shifting, so it didn't really have a beginning or an end – you could drop in any time you liked.
└ from 06 — Principium 2.0 Publication


But it was pretty intense, so yes, this record is probably the light version.
└ from 06 — Principium 2.0 Publication


But I really needed a break from thinking it over and to just do something... Plus, it adds a much needed layer of spontaneity that works beautifully, not in the least musically, so no regrets.
└ from 06 — Principium 2.0 Publication


Kris Delacourt: The 10" records have all been sold as well, so they sit somewhere in the middle.
└ from 06 — Principium 2.0 Publication


It's a result of that whole chain reaction, so in that way it's definitely the result of collaborating with all those people.
└ from 06 — Principium 2.0 Publication


Still, the Ultra Eczema one is definitely the first record that is more widely available, and much more of a pure record than an artist's edition, so I know what he’s saying.
└ from 06 — Principium 2.0 Publication


But I did try to select bits that I thought had a beauty or a strong appeal to them, an interesting evolution or whatever, so much so that I hope they can survive as musical pieces in their own right.
└ from 06 — Principium 2.0 Publication


By doing so, we developed a multidimensional approach to the tactics that can be used for making scores and how the outcomes could finally exist as a tradable object.
└ from 08 — Art Rotterdam Presentation


She approaches computer systems via inductive microphones for magnetic fields, so-called 'telephone adapters'.
└ from 10 — Valentina Vuksic


This so-called 'manual notation' was of great importance to ensure the reproducibility of the various rhythmic possibilities in the developing polyphonic music of Western Europe.
└ from 11 — Para-phonic Poly-disco


computers, record players and effect equipment) and a variety of speech techniques, are adopted so that, among other things, classical reading forms are exceeded.
└ from 20 — Concrete Poetry


They are a group that plays music in an 'extra-musical' or 'non-musical' sort of rhythm (so to speak).
└ from 21 — Animated Notation


Fersteinn works with the method of so-called 'animation'.
└ from 21 — Animated Notation


The plant is deliberately located in a legal gray area, which has been greatly enlarged by digital technologies, so that it is impossible to clarify the case so far.
└ from 24 — Johannes Kreidler


The intact web will not exist long in the world, and with my interference even less so.
└ from 26 — Helga Jakobson


It can be a slurry, it may contain chemicals or poisonous materials so you have to contain it and treat and store it properly.
└ from 27 — BJ Nilsen


We were living quite close to the railway, so when the train did not run we knew instantaneously that something had happened, either in the mine or in the mill.
└ from 27 — BJ Nilsen


If it goes on like it goes now, the ice will open up and it will not be so desolate anymore.
└ from 27 — BJ Nilsen


For me it relates directly to iron ore in so far that the type of musique concrète and tape music developed at GRM was made possible by magnetic tape.
└ from 27 — BJ Nilsen


English-language blackers have formed collaboration groups, such as the Black MIDI Team, where they make MIDI files and visuals together so they can be uploaded online sooner.
└ from 30 — Black Midi


The term 'black MIDI' is derived from how there are so many notes in each piece that the score would look nearly black (or would look really black) when transposed to the form of traditional sheet music.
└ from 30 — Black Midi


According to California-based blacker TheTrustedComputer, black MIDI was intended as more of a remix style than an actual genre, and derived from the idea of 'bullet hell' shoot 'em up games, which involved 'so many bullets at a time your eyes can't keep up.
└ from 30 — Black Midi


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