[x] project ▶

Sentences that have project in common :


DE PLAYER – a production platform specialising in the relationship between sound, art, publishing and performance – presents works by artists within the frame of the project 'Pushing Scores', a project by DE PLAYER and Dutch graphic designer Remco van Bladel.
└ from 01 — Pushing Scores Overview


Fri 20 Jan 2017 20:00 @ DE PLAYER, Rotterdam 'PUSHING' WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our 'Pushing Scores' project with Telcosystems (NL), Julia Buennagel (DE) and Derek Holzer (US).
└ from 01 — Pushing Scores Overview


For the Pinkie Bowtie session we invited Antwerp-based artists to contribute to the project.
└ from 01 — Pushing Scores Overview


This work, developed for The Small Museum project at Paradiso, is part of 'Pushing Scores' – a research project by DE PLAYER in connection with Remco van Bladel about the current state and potential of the 'graphical score'.
└ from 01 — Pushing Scores Overview


Thu 29 Nov 2018 20:00 @ Varia, Rotterdam ARCHIVING 'PUSHING SCORES' WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMANN AND MORE For this event we will focus on archiving our 'Pushing Scores' project.
└ from 01 — Pushing Scores Overview


This project, which focuses on what we have come to refer to as the ‘graphic score’, has been running over the last two to three years.
└ from 01 — Pushing Scores Overview


Pushing Scores' is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
└ from 01 — Pushing Scores Overview


Throughout 2016, 2017 and 2018, this project will research the phenomenon of notation and the graphic representation of music.
└ from 01 — Pushing Scores Overview


Throughout the project, Jacques Attali’s book, 'Noise: The Political Economy of Music', will function as a reference and inspirational guide; pushing the score in search of its current potential.
└ from 01 — Pushing Scores Overview


Pushing Scores' is a project researching graphic notation, based on a desire to update this form of music and sound notation for the twenty-first century.
└ from 01 — Pushing Scores Overview


Starting from the motto ‘From Cage to JODI and beyond’, and from the avant-garde music and sound art of the twentieth century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture.
└ from 01 — Pushing Scores Overview


The incentive for this project is the belief that graphic notation in twentieth-century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audiovisual languages and media.
└ from 01 — Pushing Scores Overview


We worked around the ideas present in our 'Pushing Scores' project.
└ from 02 — Release - Tetra Gamma Circulaire 3


Each student had to develop their own project around the process of making a score.
└ from 02 — Release - Tetra Gamma Circulaire 3


These books were the starting point for curating the event, which subsequently sat within our 'Pushing Scores' project.
└ from 04 — Noting Denoting


Justin Bennet showed his project 'Shot Gun Architecture', and Remco van Bladel introduced our project 'Pushing Scores' by doing a reading about historical and contemporary graphic scores and the concepts behind them.
└ from 04 — Noting Denoting


Principium' comes from the title of a project by Vaast Colson.
└ from 06 — Principium 2.0 Publication


DE PLAYER: Is this LP the final version of this project, or do you see it evolving into future iterations?
└ from 06 — Principium 2.0 Publication


Was one of your fears that, by making it into a 12", you would have to bring this project to a final version?
└ from 06 — Principium 2.0 Publication


DE PLAYER: You release this album as a Remörk album, but there were more people involved in this project than just you.
└ from 06 — Principium 2.0 Publication


PUSHING' WITH TELCOSYSTEMS, JULIA BÜNNAGEL AND DEREK HOLZER Fri 20 Jan 2017 20:00 @ DE PLAYER, Rotterdam Live event for our 'Pushing Scores' project with Telcosystems (NL), Julia Bünnagel (DE) and Derek Holzer (US).
└ from 07 — Pu-sh-ing-Sco-res Event


For our event series within the context of the 'Pushing Scores' project, we programmed this evening after we got in touch with Telcosystems about their 'Resonanz' publication.
└ from 07 — Pu-sh-ing-Sco-res Event


They did a reading on the concepts and necessity of the project, as well as all the implications resulting from its development and production.
└ from 07 — Pu-sh-ing-Sco-res Event


As a production platform, specialised in the relationship between sound, art, publishing and performance, DE PLAYER presents works by artists within the frame of the project 'Pushing Scores' – an ongoing project by DE PLAYER and Dutch graphic designer Remco van Bladel.
└ from 08 — Art Rotterdam Presentation


For this year's festival, it was clear to us that we should present the 'Pushing Scores' project.
└ from 08 — Art Rotterdam Presentation


Each student could design his/her own project on this medium.
└ from 09 — MAT>NET>PU TGC3 Presentation


The idea of a score functioned as a guideline to shape their project and to test the working process.
└ from 09 — MAT>NET>PU TGC3 Presentation


ARCHIVING 'PUSHING SCORES' WITH VALENTINA VUKSIC, ANA GUEDES, VARIA AND NIEK HILKMANN Thu 29 Nov 2018 20:00 @ Varia, Rotterdam During this evening we will focus on archiving our 'Pushing Scores' project, a project interrogating the meaning of the 'graphic score' that has been running for the last two to three years.
└ from 10 — Valentina Vuksic


To communicate the project to a larger audience, DE PLAYER asked Varia to develop a context and technical environment as a web-based archival publication for the 'Pushing Scores' project.
└ from 10 — Valentina Vuksic


Paradiso invited Remco van Bladel to take part in their Small Museum project.
└ from 11 — Para-phonic Poly-disco


The invitation was perfectly suited for a project in public space that he had in mind for 'Pushing Scores'.
└ from 11 — Para-phonic Poly-disco


After learning of Attali's book, 'Noise: The Political Economy of Music', we used it as inspiration for the project 'Pushing Scores'.
└ from 12 — Jacques Attali


He calls this chapter 'Represent' because it is the project of the executive.
└ from 12 — Jacques Attali


He wrote the book 'Noise: The Political Economy of Music', which is one of the inspirations for our project 'Pushing Scores'.
└ from 12 — Jacques Attali


The entire 'Pushing Scores' project was set up in cooperation with Remco van Bladel.
└ from 13 — Remco van Bladel


We knew that Remco had written an essay called 'Musical Theories in Graphic Design' – on the subject of graphic notation within a broader field of theory formation in contemporary music – and felt it would be a good match to work together on a research project about the graphic score.
└ from 13 — Remco van Bladel


We became familiar with the work of Derek Holzer through his project on tonewheels – an experiment in converting graphical imagery to sound, inspired by some of the pioneering twentieth century electronic music inventions.
└ from 14 — Derek Holzer


This analogue way of generating sound from graphic notation was an impulse to check him out for the 'Pushing Scores' project.
└ from 14 — Derek Holzer


VECTOR SYNTHESIS' WORKSHOP WITH DEREK HOLZER AT PIKSEL 9–11 Mar 2018 @ Piksel Studio 207, Bergen 'VECTOR SYNTHESIS' is an audiovisual, computational art project using sound synthesis and vector graphics display techniques to investigate the direct relationship between sound and image.
└ from 16 — Tektronix Oscilloscope Music


This idea is closely intertwined with the project 'Pushing Scores', in which the materialisation of sound plays a role.
└ from 20 — Concrete Poetry


They had been performing before we started the 'Pushing Scores' project, yet we nevertheless claim their work to be part of it.
└ from 21 — Animated Notation


The animations of Gunnarsson were also used by Goodiepal when he visited DE PLAYER on 17 Dec 2015 with his project on Icelandic animated notation.
└ from 22 — Anitation


Her project 'UNTITLED RECORDS' is a performative sound installation that interweaves historical and emotional narratives through the 'instrumentalisation' of a collection of vinyl records.
└ from 25 — Ana Guedes


Ana Guedes' project 'UNTITLED RECORDS' fits into our idea of finding new ways to compose very seamlessly.
└ from 25 — Ana Guedes


She presented her project entitled 'Arachnes Sonifier', in which she captures and makes audible spider webs.
└ from 26 — Helga Jakobson


We had an appointment and it was immediately clear that this project was of interest to us and we decided to present her prototype at an event in which other inventive ways of sound making were presented.
└ from 26 — Helga Jakobson


The idea of a spider web as a score was also very closely aligned with the 'Pushing Scores' project.
└ from 26 — Helga Jakobson


This project, named 'Arachnes Sonifier', became more and more developed over time and we will soon publish an album (DOB094) including the sound, images and conceptual information on our label.
└ from 26 — Helga Jakobson


From the 'Dark Ecology' project of Sonic Acts, Amsterdam, BJ Nilsen has visited many mines and mining areas over time.
└ from 27 — BJ Nilsen


Benny Nilsen approached us with his project 'ORE'.
└ from 27 — BJ Nilsen


It doesn't relate directly to mining, but it extends the project to include geology, deep time and stone.
└ from 27 — BJ Nilsen


Instead of making a paintwork publication, we wanted it to be more adventurous and in line with the concept of the project.
└ from 29 — Niek Hilkmann


By emphasising this aspect of the machine as a musical entrepreneur earning his own income, the conditions of mechanised labour within the cultural industry, and its associated ethics, are investigated within this project.
└ from 29 — Niek Hilkmann


In this project, he appropriates scores of avant-garde composers and connects each note with one arbitrary point on the horizon.
└ from 31 — Marco Fusinato


His overall aesthetic project combines allegorical appropriation with an interest in the intensity of a gesture or event.
└ from 31 — Marco Fusinato


a b o u t t h i s a r c h i v e
l i s t o f i t e m s
G e n e r a t e s c o r e !