[x] piece ▶

Sentences that have piece in common :


This piece is based on a question.
└ from 06 — Principium 2.0 Publication


We showed this piece by Remörk at ART Rotterdam and then I asked Kris if he was willing to make a publication of it, meaning a record.
└ from 06 — Principium 2.0 Publication


It was presented at Stadslimiet, Antwerp, as an installation piece on 2 Jul 2015.
└ from 06 — Principium 2.0 Publication


Principium 2.0' is then another piece in step with the principle of Colson's original 'Principium'.
└ from 06 — Principium 2.0 Publication


Yet I felt like making another interpretation of an existing piece, instead of merely documenting it.
└ from 06 — Principium 2.0 Publication


That same ten-minute piece was then sped up for the other notes, going up in pitch and becoming shorter for each record.
└ from 06 — Principium 2.0 Publication


And since all the records have different lengths, it ended up being one long shifting overlapping piece.
└ from 06 — Principium 2.0 Publication


End of piece.
└ from 06 — Principium 2.0 Publication


How do you perceive the function a piece of vinyl can have?
└ from 06 — Principium 2.0 Publication


But they do form one big piece, and as far as final forms go, I guess you could consider the performance to be the final form of that particular piece.
└ from 06 — Principium 2.0 Publication


In the case of the 'prepared record', the record or musical piece is not used as a reproductive technique.
└ from 07 — Pu-sh-ing-Sco-res Event


The end result is not a reproduction but a transformation of the original source and ultimately becomes an autonomous score and/or unique graphic/sculptural piece in and of itself.
└ from 07 — Pu-sh-ing-Sco-res Event


A mobile website that connects you to the hardware inside the cabinet and turns your phone into a local speaker for a polyphonic voice piece.
└ from 11 — Para-phonic Poly-disco


The piece is voiced by Laetitia Saedier of Stereolab.
└ from 11 — Para-phonic Poly-disco


For each record a unique piece is generated that is spoken and performed by the same software.
└ from 19 — Jörg Piringer


In a thirty-three second piece, he processed 70,200 quotations of foreign works, all of which he submitted individually via forms to the German Buma Stemra (GEMA).
└ from 24 — Johannes Kreidler


In this piece, too, reference is made to the borderline areas of copyright, and credits composers and copyright holders mentioned by the respective companies instead of Kreidler himself.
└ from 24 — Johannes Kreidler


Following this, we also produced a record with him, which contains one piece of his named 'Product Placements'.
└ from 24 — Johannes Kreidler


This piece is to be seen as a plunder phonic composition in extremis.
└ from 24 — Johannes Kreidler


In September 2008 a piece of press advertised his action ‘Product Placements’, with which he wanted to initiate a discussion on copyright and the height of creation in music.
└ from 24 — Johannes Kreidler


In a thirty-three second piece of music, he processed 70,200 quotes of foreign works, proceeding to individually enrolled each one at the GEMA.
└ from 24 — Johannes Kreidler


The idea of a graphic score, a readable gesture, aids in the playability/repeatability of a piece of music that through its repetition allows for exploration, interpretation and imagination.
└ from 26 — Helga Jakobson


I mixed part of the recording in the GRM studios in Paris where I was working on another acousmatic piece.
└ from 27 — BJ Nilsen


The fact that the sound on the record is an ever-changing piece – because of the psycho acoustic effects – transposes it more into a tool than a static recording.
└ from 28 — John Duncan


The end titles of many black MIDI videos display how many notes are in the piece.
└ from 30 — Black Midi


The term 'black MIDI' is derived from how there are so many notes in each piece that the score would look nearly black (or would look really black) when transposed to the form of traditional sheet music.
└ from 30 — Black Midi


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