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Sentences that have part in common :


This work, developed for The Small Museum project at Paradiso, is part of 'Pushing Scores' – a research project by DE PLAYER in connection with Remco van Bladel about the current state and potential of the 'graphical score'.
└ from 01 — Pushing Scores Overview


The process is always important, but the end result, which is variable for Colson and influenced by the context, is an important part of his work.
└ from 05 — Wiels Artbook Fair


And I don't know, maybe part of me wanted to be a part of that history, more than just doing a 'recording'.
└ from 06 — Principium 2.0 Publication


So I went through eight hours of recordings, selecting bits that I liked and that I thought would be interesting enough to listen to as pieces in their own right, and not just as part of this monster performance.
└ from 06 — Principium 2.0 Publication


That's awesome, and I'm flattered to be a part of that, but in a way it's also what record labels are supposed to be doing, no?
└ from 06 — Principium 2.0 Publication


If you stick to the concept, you miss out on the creative aspect, which should be the most important part.
└ from 06 — Principium 2.0 Publication


She is part of the sound art collective Sculptress of Sound.
└ from 07 — Pu-sh-ing-Sco-res Event


For a certain period we regularly took part in ART Rotterdam – an annual art fair in which commercial galleries and artist-run initiatives take part.
└ from 08 — Art Rotterdam Presentation


The initiatives gather within a part of the programme called 'Intersections'.
└ from 08 — Art Rotterdam Presentation


People could continuously listen to some audio publications (by Telcosystems, Cold Void and Davide Mosconi) as well take part in the production process by spraying new works for the next potential customer.
└ from 08 — Art Rotterdam Presentation


Paradiso invited Remco van Bladel to take part in their Small Museum project.
└ from 11 — Para-phonic Poly-disco


This object is chosen to be part of the archive because it is the first and most simple tool to translate a written score to the musician who has to execute it.
└ from 18 — Dirigeerstok


They had been performing before we started the 'Pushing Scores' project, yet we nevertheless claim their work to be part of it.
└ from 21 — Animated Notation


Guðmundur Steinn Gunnarsson has been part of DE PLAYER's programme with his quartet Fersteinn several times.
└ from 22 — Anitation


and took part in founding its festival Sláturtíð.
└ from 22 — Anitation


We became acquainted with Helga Jakobson's work through Bas van den Hurk, who at the time of introduction was teaching on the postgraduate program that Helga took part in at St Joost.
└ from 26 — Helga Jakobson


This was part of a test production of around 30,000 tons.
└ from 27 — BJ Nilsen


In practice it's quite mathematical, but it still it is part of the sound world too.
└ from 27 — BJ Nilsen


I mixed part of the recording in the GRM studios in Paris where I was working on another acousmatic piece.
└ from 27 — BJ Nilsen


John Duncan took part in our event on 5 Oct 2018.
└ from 28 — John Duncan


His background in performance and his multimedia and confrontational approach gives him full credits to be part of the DE PLAYER programme.
└ from 28 — John Duncan


During an evening at the Varia collective, where Valentia Vuksic and Ana Guedes also played a live set and explained their work and backgrounds, Niek Hilkmann, who is part of the Varia team, presented his Universal Notation Ideal (UNI) – a Pay2Print research into the simultaneous production and distribution of standardised graphic scores by means of an automatic machine.
└ from 29 — Niek Hilkmann


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