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A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations, such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art and Sonic Acts.
└ from 01 — Pushing Scores Overview


He drew a number of random lines across the sticker sheets, and since there are eight by twelve stickers on a sheet you end up with tiny line segments marking each of the stickers.
└ from 06 — Principium 2.0 Publication


He reduced the number of keys to twelve, and added a magnetic sequencer board to it.
└ from 06 — Principium 2.0 Publication


I reduced the number of keys to twelve, and added a magnetic sequencer board to it.
└ from 06 — Principium 2.0 Publication


There’s something appealing in the number twelve even, and there's the appeal of building instruments too.
└ from 06 — Principium 2.0 Publication


HIELE MARTENS (BE) Sometimes 1 + 1 is greater than the sum of its parts, but if you put two of Belgium's finest composers and musicians together, it adds up to an infinite number.
└ from 09 — MAT>NET>PU TGC3 Presentation


As far as melody is concerned, humming was increasingly defined by the expansion of the number of lines, which first corresponded by colour and later by keys to certain steps in the medieval ranges.
└ from 11 — Para-phonic Poly-disco


His artistic practice is formed by a number of ingredients that have always been present in his work to a greater or lesser extent.
└ from 13 — Remco van Bladel


They did quite an impressive set a number of years ago at both De Vleeshal and Wall Gallery, for those who missed it.
└ from 21 — Animated Notation


Besides the share prices, some other statistics were used, such as the number of American soldiers killed in Iraq.
└ from 24 — Johannes Kreidler


Each date and signature is a coordinate, a clue in the reconstruction of a map tracing complex historical occurrences splitting into an infinite number of threads.
└ from 25 — Ana Guedes


Black MIDI' is a music genre consisting of compositions that use MIDI files to create song remixes containing a large number of notes, typically in the thousands or millions, and sometimes billions.
└ from 30 — Black Midi


In its beginning years, black MIDIs were represented visually with traditional two-stave piano sheet music, and contained a number of notes only in the thousands.
└ from 30 — Black Midi


Shortly thereafter, blackers from around the world began pushing limits of the style by making compositions with notes increasing into the millions and using an enormous number of colours and patterns to match the complexity of the notes.
└ from 30 — Black Midi


The number of notes and the sizes of the playback files have grown with the rising amount of processing and 64-bit programs, which computers are now able to handle.
└ from 30 — Black Midi


The two largest black MIDIs are 'Armageddon v3' and 'TheTrueEnd', both of which contain the maximum number of notes allowed in the MIDI standard (about ninty-three trillion).
└ from 30 — Black Midi


Hackaday's Elliot Williams spotlighted the style as ironic, given that the fast-paced arpeggios and 'splatter-chords', developed with a restricted number of voices, come together to make other tones that lead to a piano sounding more like a chiptune and less like an actual piano.
└ from 30 — Black Midi


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