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Sentences that have live in common :


Focusing on the potential of graphic scores and the publishing of sound and image, we present Telcosystems alongside their recent publication 'Resonanz', a reading from 'Schematic as a Score' and a concert by Derek Holzer and a live performance by Julia Bünnagel with modified records.
└ from 01 — Pushing Scores Overview


Connecting his many worlds, ideas and influences into highly personal live performances and recordings, he keeps on amazing people both here and abroad.
└ from 04 — Noting Denoting


We were discussing several projects and possibilities for collaboration with Defne Ayas and Samuel Saelemakers of Witte de With Center for Contemporary Art when they asked us to participate in Charlemagne Palestine's exhibition 'GesammttkkunnsttMeshuggahhLaandtttt' by organising a live event.
└ from 04 — Noting Denoting


Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine' by Vaast Colson, produced on a 'prepared copier' At the 2016 WIELS Art Book Fair we presented this live-made, copy-zine by Vaast Colson named 'Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine', which was produced on a 'prepared copier'.
└ from 05 — Wiels Artbook Fair


So we discussed other possibilities, like capturing a live performance, or possibly even cutting records on the fly with his vinyl lathe.
└ from 06 — Principium 2.0 Publication


But they were live events, not editing choices made afterwards.
└ from 06 — Principium 2.0 Publication


So this is very much a straightforward live recording of a pretty weird DJ set, if you will.
└ from 06 — Principium 2.0 Publication


Focusing on the potential of graphic scores and the publishing of sound and image, we present Telcosystems alongside their recent publication 'Resonanz', a reading from 'Schematic as a Score' as well as a concert by Derek Holzer and a live performance by Julia Bünnagel with modified records.
└ from 07 — Pu-sh-ing-Sco-res Event


On this evening, 'Resonanz' will be the starting point for a Q&A, demonstration and live presentation.
└ from 07 — Pu-sh-ing-Sco-res Event


This becomes manifest in the immersive audiovisual installations they make, in films, videos, soundtracks, prints and in live performances.
└ from 07 — Pu-sh-ing-Sco-res Event


Telcosystems' installations and films focus on real-time, self-structuring, generative processes, and in their live performances they focus on the interaction with these processes.
└ from 07 — Pu-sh-ing-Sco-res Event


For this evening event, 'Resonanz' will be the starting point of Q&A, demonstration and live presentation.
└ from 07 — Pu-sh-ing-Sco-res Event


This becomes manifest in the immersive audiovisual installations they make in the form of films, videos, soundtracks, prints and live performances.
└ from 07 — Pu-sh-ing-Sco-res Event


Telcosystems’ installations and films focus on real-time, self-structuring, generative processes, and in their live performances they focus on the interaction with these processes.
└ from 07 — Pu-sh-ing-Sco-res Event


Julia's solo live performances primarily refer to the modified vinyl records that produce extraordinary sounds.
└ from 07 — Pu-sh-ing-Sco-res Event


Since 2002, he has performed live, taught workshops and created scores of unique instruments and installations across Europe, North and South America and New Zealand.
└ from 07 — Pu-sh-ing-Sco-res Event


For the 'PUSHING' event, Derek will do a reading entitled 'Schematic as Score: Uses and Abuses of the (In)Deterministic Possibilities of Sound Technology', and after that he will do a live set based on researching analogue visuals with the oscilloscope.
└ from 07 — Pu-sh-ing-Sco-res Event


On the live oscilloscope concert Holzer states, 'The Vectorian Era opens with a screaming across the sky.
└ from 07 — Pu-sh-ing-Sco-res Event


Instead, he came over to do a reading from his text 'Schematic as a Score' and did a live set of Tektronix Oscilloscope Music.
└ from 07 — Pu-sh-ing-Sco-res Event


She works with prepared records and played a live set.
└ from 07 — Pu-sh-ing-Sco-res Event


Valentina Vuksic will also bring a live performance in which she approaches computers with transducers that transform electromagnetic radiation into sound within choreographed setups.
└ from 10 — Valentina Vuksic


She played a set in which she used her computer to generate sound by live programming.
└ from 10 — Valentina Vuksic


Her score was made on the spot with programming language; a sort of live coding.
└ from 10 — Valentina Vuksic


An algorithmic choir is compiled live by the mobile phones that connect to the WiFi point while audiences are waiting in line to enter Paradiso.
└ from 11 — Para-phonic Poly-disco


The Small Museum, which was previously used to house the public announcements of the church, will be transformed into a local WiFi hotspot to stream a multi vocal 'Pa-Ra-Di-So Rapsodia' – a live algorithmic choir composition created through the phones that connected to the WiFi, and therefore the score, while waiting to enter the building.
└ from 11 — Para-phonic Poly-disco


Since 2002, he has performed live, taught workshops and created scores of unique instruments and installations across Europe, North and South America and New Zealand.
└ from 14 — Derek Holzer


But this unwanted presence also guarantees the vitality of that fiercely fought area – the live electronic music performance.
└ from 14 — Derek Holzer


He did a reading of his text 'Schematic as a Score' alongside a live concert derived from his research on analogue visuals with the oscilloscope.
└ from 16 — Tektronix Oscilloscope Music


During an evening at the Varia collective, where Valentia Vuksic and Ana Guedes also played a live set and explained their work and backgrounds, Niek Hilkmann, who is part of the Varia team, presented his Universal Notation Ideal (UNI) – a Pay2Print research into the simultaneous production and distribution of standardised graphic scores by means of an automatic machine.
└ from 29 — Niek Hilkmann


Spectral Arrows by Marco Fusinato (live recordings by Gerben Kokmeijer, edited by Marco Fusinato) Stuttering live concrete, wailing feedback, Xenakis-esque swarms of descending glissandi, abusive guitar wrangling, walls of harsh static on a double sided black vinyl containing edited sound from the live recording of Marco Fusinato's endurance performance 'Spectral Arrows' for DE PLAYER on 18 May 2013 at Groothandelsgebouw, Rotterdam, the Netherlands.
└ from 31 — Marco Fusinato


From this perspective, his live performances can also be considered as black mass implosions.
└ from 31 — Marco Fusinato


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