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Sentences that have have in common :


This project, which focuses on what we have come to refer to as the ‘graphic score’, has been running over the last two to three years.
└ from 01 — Pushing Scores Overview


Graphic scores and notation have a long history dating back to the tenth century, when the Gregorian chants of the 'scola cantorum' were already being conducted through the writing of signs in the air.
└ from 01 — Pushing Scores Overview


He focuses mainly on acoustic phenomena that have a dynamic relationship with their environment.
└ from 04 — Noting Denoting


We have known Vaast Colson to be an interesting artist for quite some time already.
└ from 05 — Wiels Artbook Fair


Colson's works examine core questions: What power does art have to change us and our society?
└ from 05 — Wiels Artbook Fair


The final installation will have twelve separate pieces: A complete octave.
└ from 06 — Principium 2.0 Publication


Colson used tiny paper sticker dots, the kind that most art galleries use to denote which works in a show have been sold.
└ from 06 — Principium 2.0 Publication


Interestingly, he thought his resulting collages would be nice to use as scores – and they probably would have been.
└ from 06 — Principium 2.0 Publication


He made these beautiful pieces where he used tiny paper sticker dots, you know the ones that most art galleries use to denote which works in a show have been sold?
└ from 06 — Principium 2.0 Publication


DOB Records have put out some crazy releases, really pushing the boundaries of what can be done with the medium of vinyl.
└ from 06 — Principium 2.0 Publication


For example, there's this box set which has records that have built-in radio transmitters, records with impossible shapes where you need to turn the stylus of your record player upside down.
└ from 06 — Principium 2.0 Publication


Just recording the Casio would definitely have been one of the safer, more boring options.
└ from 06 — Principium 2.0 Publication


And since all the records have different lengths, it ended up being one long shifting overlapping piece.
└ from 06 — Principium 2.0 Publication


I can still see unexplored possibilities there – as an installation, or as a truly playable musical instrument, and even those two do not have to be mutually exclusive.
└ from 06 — Principium 2.0 Publication


Was one of your fears that, by making it into a 12", you would have to bring this project to a final version?
└ from 06 — Principium 2.0 Publication


Also because I really am convinced that this is just one more step towards something that can keep going, that it doesn't have to be final.
└ from 06 — Principium 2.0 Publication


Of course, because the basic tempo is the same, it would have been relatively easy to start editing, splicing things together.
└ from 06 — Principium 2.0 Publication


But to be honest I've never even considered that – eight hours of material and endless editing possibilities, that's a nightmare.., The decision to have straight up documentation, just select bits instead of editing them some more, really made the selection process easier.
└ from 06 — Principium 2.0 Publication


It was continually shifting, so it didn't really have a beginning or an end – you could drop in any time you liked.
└ from 06 — Principium 2.0 Publication


I could have gone for something more 'correct' in terms of concept – I don't know, pure sine waves or something.
└ from 06 — Principium 2.0 Publication


How do you perceive the function a piece of vinyl can have?
└ from 06 — Principium 2.0 Publication


Kris Delacourt: The 10" records have all been sold as well, so they sit somewhere in the middle.
└ from 06 — Principium 2.0 Publication


Now, I never would have though it up if it weren't for Vaast's initial invitation, or for Peter asking me to do a record, or Dennis wanting to present it in Antwerp.
└ from 06 — Principium 2.0 Publication


And the same goes for this record on Ultra Eczema: I have to say I'm really happy we finally got an Ultra Eczema release together, it's something Dennis had been asking for for quite some time... He’d actually given up asking.
└ from 06 — Principium 2.0 Publication


And sometimes, by sticking to it, you end up with the most unexpected results – adhering to rules you impose on yourself makes you do stuff you would never have decided for yourself.
└ from 06 — Principium 2.0 Publication


It can make you go against your natural inclinations, which does not always have to be a bad thing.
└ from 06 — Principium 2.0 Publication


As production, meaning here productive creation, above all serves the human condition, we must attempt to further our purposes of creative production through the uses of those apparatuses or methods which until now have been used only for reproduction purposes.
└ from 07 — Pu-sh-ing-Sco-res Event


His performances have been described as surrealist puppet theatre in which the characters are amplified objects such as old tools, kitchen utensils, toys, springs and decorative kitsch.
└ from 09 — MAT>NET>PU TGC3 Presentation


At the time of writing it would have been quite prophetic.
└ from 12 — Jacques Attali


What kind of scores can be made with the myriad of new techniques and media that have been developed since Attali's writing, and which are definitely influential on our conceptual thinking of music and its reproduction.
└ from 12 — Jacques Attali


His artistic practice is formed by a number of ingredients that have always been present in his work to a greater or lesser extent.
└ from 13 — Remco van Bladel


The limits of speech become communication and nonsense, which both have the potential of speech.
└ from 20 — Concrete Poetry


Some of the festivals that have included Guðmundur’s music are Tectonics Festival (both Reykjavík and Glasgow), MATA, Musikin Aika, Ultima, November Music, Transit, Music for People and Thingamajigs, Nordlichter Biennale, Timisoara International Music Festival and the Irish Sound, Science and Technology Convocation in 2014, where Guðmundur was also keynote speaker.
└ from 22 — Anitation


His teachers have been Alvin Curran, Fred Frith, John Bischoff, Atli Ingólfsson, Hilmar Þórðarsson and Úlfar Ingi Haraldsson.
└ from 22 — Anitation


The vinyls were purchased in Angola, Portugal and Canada from the 60s to the early 80s and have travelled over three continents.
└ from 25 — Ana Guedes


These spiders have laid out scores in the form of webs that are barely visible ephemera drifting between branches or street signs or windows and I long to understand them.
└ from 26 — Helga Jakobson


How much influence does it have on a community?
└ from 27 — BJ Nilsen


In it he found the fragility of mining processes and the impact that mining activities have on the population and their biotope.
└ from 27 — BJ Nilsen


His writings have also been influential in the scholarly area of sound studies and the practical area of sound art.
└ from 27 — BJ Nilsen


I also went to Näätämö/Neiden and just over the border to Finland because it’s land of the Sámi, and I wanted to have that in.
└ from 27 — BJ Nilsen


The Sámi have a lot of respect for nature.
└ from 27 — BJ Nilsen


That's why I wanted to have a thread about the regeneration of mining areas.
└ from 27 — BJ Nilsen


What I like about these recordings is that they already have been processed through the rock and soil and transposed into human hearing range...
└ from 27 — BJ Nilsen


If you have a gold mine and the gold layer sits fifty metres below surface, you have to remove fifty metres of waste.
└ from 27 — BJ Nilsen


It can be a slurry, it may contain chemicals or poisonous materials so you have to contain it and treat and store it properly.
└ from 27 — BJ Nilsen


You have to take a boat to get there.
└ from 27 — BJ Nilsen


We have a tunnel that leads there.
└ from 27 — BJ Nilsen


The people in the Arctic have a lot of respect for nature, it forms them .
└ from 27 — BJ Nilsen


It’s mostly really low sounds that you have to transpose up three times to get within human hearing range.
└ from 27 — BJ Nilsen


This approach can also be seen in the Electronic Voice Phenomena (EVP) of Friedrich Jürgenson, a researcher who claimed to have detected voices of the dead hidden in radio static.
└ from 28 — John Duncan


The number of notes and the sizes of the playback files have grown with the rising amount of processing and 64-bit programs, which computers are now able to handle.
└ from 30 — Black Midi


English-language blackers have formed collaboration groups, such as the Black MIDI Team, where they make MIDI files and visuals together so they can be uploaded online sooner.
└ from 30 — Black Midi


Blackers around the world have used software such as Synthesia, FL Studio, SynthFont, Virtual MIDI Piano Keyboard, Piano From Above, MIDITrail, vanBasco Karaoke Player, MIDIPlayer (Java program), MAMPlayer, Music Studio Producer, Singer Song Writer, Tom's MIDI Player, TMIDI and Timidity++ to create black MIDIs.
└ from 30 — Black Midi


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G e n e r a t e s c o r e !