[x] could ▶

Sentences that have could in common :


During the performance, which lasted for several hours, visitors could freely join, listen and pose questions to the artist, Remörk (a.k.a.
└ from 03 — Principium 2.0 Presentation


I already knew the work of Charlemagne and we had also met during earlier events, so it was instantly clear that we could do something together that would make sense for the exhibition and ourselves.
└ from 04 — Noting Denoting


Because his work is pretty conceptual, you could say that there is always a strategy (call it a score) that operates as a framework underpinning his artistic output.
└ from 05 — Wiels Artbook Fair


Colson belongs to a younger generation of Antwerp artists who could be referred to as 'post-ironic'.
└ from 05 — Wiels Artbook Fair


The magnets for the sensor ride on top of the record player's platter and could be placed freely to make your own patterns.
└ from 06 — Principium 2.0 Publication


I think I ended up with five or six pieces that I though could hold their own on a record, four of which made the final cut.
└ from 06 — Principium 2.0 Publication


It was continually shifting, so it didn't really have a beginning or an end – you could drop in any time you liked.
└ from 06 — Principium 2.0 Publication


I could have gone for something more 'correct' in terms of concept – I don't know, pure sine waves or something.
└ from 06 — Principium 2.0 Publication


DE PLAYER: I could say that the 10" records were vinyl records as a tool, and that this LP is a vinyl record as a product.
└ from 06 — Principium 2.0 Publication


But they do form one big piece, and as far as final forms go, I guess you could consider the performance to be the final form of that particular piece.
└ from 06 — Principium 2.0 Publication


By doing so, we developed a multidimensional approach to the tactics that can be used for making scores and how the outcomes could finally exist as a tradable object.
└ from 08 — Art Rotterdam Presentation


People could continuously listen to some audio publications (by Telcosystems, Cold Void and Davide Mosconi) as well take part in the production process by spraying new works for the next potential customer.
└ from 08 — Art Rotterdam Presentation


Hiele Martens, or the collaboration of Lieven Martens Moana and Roman Hiele, delve deeply into new territory that could be interpreted as a 2017 update of Maurice Kagel's 'Exotica', but made by self-aware electronic musicians.
└ from 09 — MAT>NET>PU TGC3 Presentation


A publication was taken as a joint focal point, the form of which could be determined in more detail.
└ from 09 — MAT>NET>PU TGC3 Presentation


Each student could design his/her own project on this medium.
└ from 09 — MAT>NET>PU TGC3 Presentation


The third stage deals with the mechanical reproduction of music and the fourth stage could be considered as already referring to the idea of sampling, although it was only first published in translation by the University of Minnesota in 1985.
└ from 12 — Jacques Attali


Because of this ambiguity, we are interested in what this stage of music could represent.
└ from 12 — Jacques Attali


Artists and inventors such as Nam June Paik, Steina and Woody Vasulka, Don Buchla, Serge Tcherepnin, Dan Sandin and David Tudor all constructed their own unique instruments long before similar tools became commercially available or could be freely downloaded.
└ from 14 — Derek Holzer


Artists and inventors such as Nam June Paik, Steina & Woody Vasulka, Don Buchla, Serge Tcherepnin, Dan Sandin and David Tudor all constructed their own unique instruments long before similar tools became commercially available or could be freely downloaded.
└ from 15 — Schematic as Design


The process of finding them could be likened to trying to make the invisible visible.
└ from 26 — Helga Jakobson


We trace out all the veins of the earth, and yet, living upon it, undermined as it is beneath our feet, are astonished that it should occasionally cleave asunder or tremble: As though, forsooth, these signs could be any other than expressions of the indignation felt by our sacred parent!
└ from 27 — BJ Nilsen


On the spot, the audience could activate the UNI.
└ from 29 — Niek Hilkmann


Despite this increased computer storage, there are still black MIDI files that could cause an operating system to slow down.
└ from 30 — Black Midi


For the release event only John Nixon could be present, as Julian unfortunately died at young age and Marco was primarily active as a visual artist.
└ from 31 — Marco Fusinato


He suggested that he could do an eight-hour performance in an official office building, on a Saturday from 09:00 to 17:00.
└ from 31 — Marco Fusinato


a b o u t t h i s a r c h i v e
l i s t o f i t e m s
G e n e r a t e s c o r e !