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Sentences that have because in common :


And because I couldn’t make up my mind about what sounds to record from the Casio, I ended up not recording the Casio at all.
└ from 06 — Principium 2.0 Publication


I played around with filtering and octaves, because during testing we'd found that if we used slowly evolving records, the results were a lot more interesting.
└ from 06 — Principium 2.0 Publication


Also because I really am convinced that this is just one more step towards something that can keep going, that it doesn't have to be final.
└ from 06 — Principium 2.0 Publication


Sometimes I preferred elements because of harmonic information, notes that work well together, sometimes because of rhythms that worked well, etc.
└ from 06 — Principium 2.0 Publication


Of course, because the basic tempo is the same, it would have been relatively easy to start editing, splicing things together.
└ from 06 — Principium 2.0 Publication


Then Peter and Koos asked me to do a record because they run a record label and they want to release stuff they think is interesting.
└ from 06 — Principium 2.0 Publication


We worked on the packaging together, and it looks amazing because of them.
└ from 06 — Principium 2.0 Publication


Kris Delacourt: I think I would consider that series of twelve 10" my vinyl debut, but maybe because it was twelve different records or in 10" format it doesn't really count?
└ from 06 — Principium 2.0 Publication


They approach DE PLAYER for some input surrounding the production and distribution of it, and because of the direct relation between sound and image, and the new interface an object like that represents, it was a clear match of interests.
└ from 07 — Pu-sh-ing-Sco-res Event


We eventually asked Derek Holzer because of his work with tonewheels, but it was not logistically possible to facilitate this type of performance.
└ from 07 — Pu-sh-ing-Sco-res Event


It has been beneficial for us because the format allowed us to reach an audience that would otherwise never come to DE PLAYER itself.
└ from 08 — Art Rotterdam Presentation


It was particularly of interested to us because of the way in which he focuses on the reproduction of music.
└ from 12 — Jacques Attali


He calls this chapter 'Represent' because it is the project of the executive.
└ from 12 — Jacques Attali


Sound in relation to image remains an elusive phenomenon that continues to fascinate him because sound/music is the most abstract art form.
└ from 13 — Remco van Bladel


He came up with the idea to give a reading of his text 'Schematics as a Score', because that was a current issue of his practice.
└ from 14 — Derek Holzer


This object is chosen to be part of the archive because it is the first and most simple tool to translate a written score to the musician who has to execute it.
└ from 18 — Dirigeerstok


I made field recordings in the winter; you hear ice crystals cracking because there was a layer of ice on the snow.
└ from 27 — BJ Nilsen


I also went to Näätämö/Neiden and just over the border to Finland because it’s land of the Sámi, and I wanted to have that in.
└ from 27 — BJ Nilsen


I also visited Most in the Czech Republic because there is a huge operational open pit mine.
└ from 27 — BJ Nilsen


It just turned out that way, perhaps because that's how we generally tend to structure material.
└ from 27 — BJ Nilsen


But the chronology is interrupted a couple of times, and the different time planes are cut-up; they interact and overlap, because I mix sound recordings that were done at different times.
└ from 27 — BJ Nilsen


The slambanken is a totally artificial, man-made landscape that has formed because the waste of the iron ore processing was flushed into the fjord.
└ from 27 — BJ Nilsen


It is a playground for sedimentologists because you can see how land and deltas form.
└ from 27 — BJ Nilsen


I am drawn to the Arctic as a sound person because of its relative remoteness.
└ from 27 — BJ Nilsen


The relentless nature in the Arctic constantly reminds you that you are a human being and that you are not really supposed to be there because the harshness of the environment might kill you.
└ from 27 — BJ Nilsen


By compactly interweaving the frequencies, a different image is created for the listener at each listening session because of the psycho-acoustic selections that take place at the level of the listener.
└ from 28 — John Duncan


The fact that the sound on the record is an ever-changing piece – because of the psycho acoustic effects – transposes it more into a tool than a static recording.
└ from 28 — John Duncan


Duncan's work has a lasting influence on experimental music because his art is generally still refined and refined, and he regularly collaborates with young artists.
└ from 28 — John Duncan


The black MIDI community in Japan vanished quickly because, according to Jason Nguyen (owner of the channel 'Gingeas'), the group was 'analogous to those TV shows where there’s a mysterious founder of a civilisation that is not really known throughout the course of the show.
└ from 30 — Black Midi


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