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For the Pinkie Bowtie session we invited Antwerp-based artists to contribute to the project.
└ from 01 — Pushing Scores Overview


Sat 14 & Sun 15 Apr 2018 @ Corner of Maashaven Oostzijde and Brieselaan (next to Metrostation Maashaven), Rotterdam DE PLAYER PRESENTS 'GREATEST HITS' A solo exhibition by Matthieu Reijnoudt, curated by Willem de Haan 'Greatest Hits' is an exhibition based on twenty-five hand-drawn scores by Matthieu Reijnoudt.
└ from 01 — Pushing Scores Overview


Pushing Scores' is a project researching graphic notation, based on a desire to update this form of music and sound notation for the twenty-first century.
└ from 01 — Pushing Scores Overview


REMCO VAN BLADEL (NL) Remco van Bladel is an Amsterdam-based graphic designer, and co-founder of the noise band/art collective Sonido Gris.
└ from 04 — Noting Denoting


This piece is based on a question.
└ from 06 — Principium 2.0 Publication


So we put two and two together, and ended up doing twelve 10" lathe cuts (which came in a box with those electronic switches), with eight magnets each as based on the original grid and a 12" metal platter to sit under the 10" for the magnets to stick to.
└ from 06 — Principium 2.0 Publication


You know, the music on the record came from a performance I did, based on a concept I came up with.
└ from 06 — Principium 2.0 Publication


— Régine Debatty JULIA BÜNNAGEL (DE) Julia Bünnagel is a contemporary sound and sculpture artist based in Cologne.
└ from 07 — Pu-sh-ing-Sco-res Event


DEREK HOLZER (US) Derek Holzer is an American instrument builder and sound artist based in Helsinki and Berlin, whose current interests include DIY analogue electronics, the relationship between sound and space, media archaeology and the meeting points of electroacoustic, noise, improvisation and extreme music.
└ from 07 — Pu-sh-ing-Sco-res Event


For the 'PUSHING' event, Derek will do a reading entitled 'Schematic as Score: Uses and Abuses of the (In)Deterministic Possibilities of Sound Technology', and after that he will do a live set based on researching analogue visuals with the oscilloscope.
└ from 07 — Pu-sh-ing-Sco-res Event


The performance of 'Rock Step Triple Step' started as an experiment based on psychological theories around changing memory, time perception and flow in dance.
└ from 09 — MAT>NET>PU TGC3 Presentation


To communicate the project to a larger audience, DE PLAYER asked Varia to develop a context and technical environment as a web-based archival publication for the 'Pushing Scores' project.
└ from 10 — Valentina Vuksic


VALENTINA VUKSIC (CH/NL) Valentina Vuksic is a computer artist and programmer based in Zürich.
└ from 10 — Valentina Vuksic


Remco van Bladel (Amersfoort, 1977) is a graphic designer based in Amsterdam.
└ from 13 — Remco van Bladel


Derek Holzer (US, 1972) is a sound and light artist based in Helsinki and Berlin, whose current interests include DIY electronics, audiovisual instrument building, the relationship between sound and space, media archaeology and participatory art forms.
└ from 14 — Derek Holzer


He is inspiring for a lot of performance-based composers.
└ from 17 — Event Scores


The fact that the work is purely language-based also hones in on our interest, as DE PLAYER has been publishing and presenting a lot of sound poetry over the years.
└ from 17 — Event Scores


Jörg Piringer has performed his visual sound poetry pieces, based on computer programming, at DE PLAYER in the past.
└ from 19 — Jörg Piringer


Guðmundur Steinn Gunnarsson is an Icelandic composer writing music based on irregular or non-pulse oriented rhythms.
└ from 22 — Anitation


Niek Hilkmann is a Rotterdam based artist, musician and researcher with a background in art history, media design and musicology.
└ from 29 — Niek Hilkmann


We know Varia as a community based initiative which combines several knowledge bases in the interdisciplinary filed of music, programming, publishing, hacking, social interventions and critical positions, among others.
└ from 29 — Niek Hilkmann


It is based in Rotterdam in the same area that we operate in.
└ from 29 — Niek Hilkmann


Varia has developed a context and technical environment as a web-based archival publication.
└ from 29 — Niek Hilkmann


It is based on a new notation system designed to help conceptual composers develop and exchange conceptual music in one uniform language.
└ from 29 — Niek Hilkmann


According to California-based blacker TheTrustedComputer, black MIDI was intended as more of a remix style than an actual genre, and derived from the idea of 'bullet hell' shoot 'em up games, which involved 'so many bullets at a time your eyes can't keep up.
└ from 30 — Black Midi


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