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Sentences that have artists in common :


DE PLAYER – a production platform specialising in the relationship between sound, art, publishing and performance – presents works by artists within the frame of the project 'Pushing Scores', a project by DE PLAYER and Dutch graphic designer Remco van Bladel.
└ from 01 — Pushing Scores Overview


For the Pinkie Bowtie session we invited Antwerp-based artists to contribute to the project.
└ from 01 — Pushing Scores Overview


A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations, such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art and Sonic Acts.
└ from 01 — Pushing Scores Overview


In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate.
└ from 01 — Pushing Scores Overview


Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation.
└ from 01 — Pushing Scores Overview


Colson belongs to a younger generation of Antwerp artists who could be referred to as 'post-ironic'.
└ from 05 — Wiels Artbook Fair


These artists don’t shy away from the big questions revolving around the place and role of the artist in society and the world around them.
└ from 05 — Wiels Artbook Fair


In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate.
└ from 07 — Pu-sh-ing-Sco-res Event


Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation.
└ from 07 — Pu-sh-ing-Sco-res Event


As a production platform, specialised in the relationship between sound, art, publishing and performance, DE PLAYER presents works by artists within the frame of the project 'Pushing Scores' – an ongoing project by DE PLAYER and Dutch graphic designer Remco van Bladel.
└ from 08 — Art Rotterdam Presentation


In reaction to the dematerialisation of music (the general disappearance of music released in its physical form), the artists of the ARTKILLART label roster refocus their releases as material objects.
└ from 10 — Valentina Vuksic


His clients include artists like Navid Nuur, Jonas Staal, Justin Bennett, Esther Tielemans, Gert-Jan Prins and Erik van Lieshout, alongside institutions like Witte de With, e-flux, New World Summit, Extra City Kunsthal, Arts Writers Grant Program, Art Agenda, Council, Cobra Museum and STEIM: studio for electro-instrumental music.
└ from 13 — Remco van Bladel


Many artists try to eliminate true, catastrophic failures by scripting, scoring, sequencing or programming their work in as many predictable, risk-free quantums as possible in advance.
└ from 14 — Derek Holzer


It draws on the historical work of artists such as Mary Ellen Bute, John Whitney, Nam June Paik, Ben Laposky and Steina & Woody Vasulka, among many others, as well as on ideas of media archaeology and the creative reuse of obsolete technologies.
└ from 16 — Tektronix Oscilloscope Music


In 1967, the Sony Portapak revolutionised video by taking the camera out of the television studio and into the hands of amateurs and artists.
└ from 16 — Tektronix Oscilloscope Music


He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
└ from 17 — Event Scores


For this event, Kahn did some kind of improvisation session on the works of the three invited artists.
└ from 27 — BJ Nilsen


Duncan's work has a lasting influence on experimental music because his art is generally still refined and refined, and he regularly collaborates with young artists.
└ from 28 — John Duncan


For this we published 8" records with artists and labels.
└ from 31 — Marco Fusinato


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