[x] also ▶

Sentences that have also in common :


Next to this there will also be graphic works by students from the Graphic Design Department of ArtEZ University of the Arts, Arnhem.
└ from 01 — Pushing Scores Overview


TGC#3 is compiled in collaboration with students of the Piet Zwart Institute who undertake the Experimental Publishing programme, also known as XPUB.
└ from 01 — Pushing Scores Overview


TGC#3 is compiled in collaboration with students of the Piet Zwart Institute who undertake the Experimental Publishing programme, also known as XPUB.
└ from 02 — Release - Tetra Gamma Circulaire 3


Aside from this, the magazine is also comprised of a floppy drive, speakers, an audio input, a camera, touchpads and an LED light.
└ from 02 — Release - Tetra Gamma Circulaire 3


Next to this there will also be graphic works by students from the Graphic Design Department of ArtEZ University of the Arts, Arnhem.
└ from 04 — Noting Denoting


He is also an art book publisher (Onomatopee, Eindhoven, and WdW Review, Rotterdam).
└ from 04 — Noting Denoting


I already knew the work of Charlemagne and we had also met during earlier events, so it was instantly clear that we could do something together that would make sense for the exhibition and ourselves.
└ from 04 — Noting Denoting


In his work, Colson constantly questions the relationship with the audience and is also strongly interested in mythology and the authentic (or not) mystique of the artist's existence, which he usually explores in his performances.
└ from 05 — Wiels Artbook Fair


It's all pretty nonsensical in a way I guess, especially if you try to put something like that into words, but it’s also really beautiful, and quite fragile.
└ from 06 — Principium 2.0 Publication


Which also makes for much more interesting overlaps when played together.
└ from 06 — Principium 2.0 Publication


I like working with concepts a lot, as a starting point, but I'm also interested enough in the results to loosen up the concept if I feel it's needed.
└ from 06 — Principium 2.0 Publication


That's also purely pragmatic: Now they've all been sold, it's going to be very difficult to get all twelve of them together again for a second performance.
└ from 06 — Principium 2.0 Publication


That's awesome, and I'm flattered to be a part of that, but in a way it's also what record labels are supposed to be doing, no?
└ from 06 — Principium 2.0 Publication


DE PLAYER: Do you think this LP would also be enjoyable if someone would listen to it without knowing a single thing about the whole concept behind it?
└ from 06 — Principium 2.0 Publication


Julia Bünnagel was also invited, under the guise of contributing a more physical input.
└ from 07 — Pu-sh-ing-Sco-res Event


Valentina Vuksic will also bring a live performance in which she approaches computers with transducers that transform electromagnetic radiation into sound within choreographed setups.
└ from 10 — Valentina Vuksic


With the rise of the various avant-garde movements from the beginning of the twentieth century, in addition to new forms of 'sound', the relationship between sound and its visual representation is also being re-examined here.
└ from 12 — Jacques Attali


The studio also takes care of the graphic design of the art magazine Metropolis M and its accompanying website.
└ from 13 — Remco van Bladel


He also engaged with work from Stockhausen and Cage, working comparatively to assess differences and find similarities.
└ from 13 — Remco van Bladel


But this unwanted presence also guarantees the vitality of that fiercely fought area – the live electronic music performance.
└ from 14 — Derek Holzer


Battle Zone' (1980), 'Tempest' (1981), and 'Star Wars' (1983) all stand as other notable examples from this Vectorian Era, and also as rudimentary training tools for the future e-warriors who would remotely guide missiles into Iraqi bunkers at the start of the next decade.
└ from 16 — Tektronix Oscilloscope Music


The fact that the work is purely language-based also hones in on our interest, as DE PLAYER has been publishing and presenting a lot of sound poetry over the years.
└ from 17 — Event Scores


He is also involved in the online poetry platform Huelkorven.
└ from 19 — Jörg Piringer


Piringer is also involved in Huellkurven – an online sound poetry magazine and a series of events dedicated to sound poetry, poésie sonore, lautpoesie, noise poetry, sound-text composition, auditive poetry and audio poetry, among other things.
└ from 19 — Jörg Piringer


The packaging of each record is also linked to the unique file and consists of an original visual work that is derived from or transformed via a formula from the programming language that underlies the audio poems present on the record.
└ from 19 — Jörg Piringer


Signification also plays a major role in this.
└ from 20 — Concrete Poetry


a tape recorder or telephone), but also self-invented technical devices and software as well as other machines (e.g.
└ from 20 — Concrete Poetry


The animations of Gunnarsson were also used by Goodiepal when he visited DE PLAYER on 17 Dec 2015 with his project on Icelandic animated notation.
└ from 22 — Anitation


We also produced a limited polyurethane record with Fersteinn.
└ from 22 — Anitation


He also used to be a co-curator of the Jaðarber concert series and Fengjastrútur Ensemble.
└ from 22 — Anitation


Some of the festivals that have included Guðmundur’s music are Tectonics Festival (both Reykjavík and Glasgow), MATA, Musikin Aika, Ultima, November Music, Transit, Music for People and Thingamajigs, Nordlichter Biennale, Timisoara International Music Festival and the Irish Sound, Science and Technology Convocation in 2014, where Guðmundur was also keynote speaker.
└ from 22 — Anitation


But how can we score something not present, yet also not absent?
└ from 23 — Silence


He also studied philosophy and art history at the Albert-Ludwigs-Universität Freiburg.
└ from 24 — Johannes Kreidler


Following this, we also produced a record with him, which contains one piece of his named 'Product Placements'.
└ from 24 — Johannes Kreidler


The idea of a spider web as a score was also very closely aligned with the 'Pushing Scores' project.
└ from 26 — Helga Jakobson


He also expanded his archive with all related logistic processes.
└ from 27 — BJ Nilsen


His writings have also been influential in the scholarly area of sound studies and the practical area of sound art.
└ from 27 — BJ Nilsen


I also went to Näätämö/Neiden and just over the border to Finland because it’s land of the Sámi, and I wanted to have that in.
└ from 27 — BJ Nilsen


I also worked with stone as an instrument, striking and recording it.
└ from 27 — BJ Nilsen


I also visited Most in the Czech Republic because there is a huge operational open pit mine.
└ from 27 — BJ Nilsen


And then there are sounds used for seismic interferometry: The decoding of ambient seismic noise, micro earthquakes and also surface bound sounds.
└ from 27 — BJ Nilsen


Except for the mining, but that then is also why I find mining in the Arctic especially interesting.
└ from 27 — BJ Nilsen


Geologists read the stone, but they also listen to it.
└ from 27 — BJ Nilsen


This approach can also be seen in the Electronic Voice Phenomena (EVP) of Friedrich Jürgenson, a researcher who claimed to have detected voices of the dead hidden in radio static.
└ from 28 — John Duncan


Duncan also often works with Carl Michael Hausswolff, who is an expert in EVP.
└ from 28 — John Duncan


He also made periodic broadcasts from his own home.
└ from 28 — John Duncan


During an evening at the Varia collective, where Valentia Vuksic and Ana Guedes also played a live set and explained their work and backgrounds, Niek Hilkmann, who is part of the Varia team, presented his Universal Notation Ideal (UNI) – a Pay2Print research into the simultaneous production and distribution of standardised graphic scores by means of an automatic machine.
└ from 29 — Niek Hilkmann


This not only counts for publishing but also for exploring new possibilities for artist practice in general.
└ from 30 — Black Midi


They also formed the sites 'Guide to Black MIDI' and 'Official Black MIDI Wikia', which introduced and set the norm of black MIDI.
└ from 30 — Black Midi


While black MIDIs of Japanese video game music and anime are still common, the genre has also begun spilling into modern-day pop songs, such as 'Wrecking Ball' by Miley Cyrus.
└ from 30 — Black Midi


Black MIDI has also been considered the digital equivalent, as well as a response to composer Conlon Nancarrow's use of the player piano, which also involved experimenting with several thick notes to compose intricate pieces without hands.
└ from 30 — Black Midi


From this perspective, his live performances can also be considered as black mass implosions.
└ from 31 — Marco Fusinato


a b o u t t h i s a r c h i v e
l i s t o f i t e m s
G e n e r a t e s c o r e !