[x] His ▶

Sentences that have His in common :


His best ones.
└ from 01 — Pushing Scores Overview


His websites attract a large audience of over forty million unique visits per year.
└ from 04 — Noting Denoting


His artistic practice consists of websites, installations, lenticulars, lectures and haiku.
└ from 04 — Noting Denoting


His studio work focuses on editorial book design, publishing projects, curatorial projects, institutional identities, interactive applications and websites.
└ from 04 — Noting Denoting


His works, which are regularly made in situ, are often difficult to sell.
└ from 05 — Wiels Artbook Fair


His performances have been described as surrealist puppet theatre in which the characters are amplified objects such as old tools, kitchen utensils, toys, springs and decorative kitsch.
└ from 09 — MAT>NET>PU TGC3 Presentation


His studio focuses on editorial book design, curatorial projects, institutional identities, interactive applications and websites.
└ from 13 — Remco van Bladel


His clients include artists like Navid Nuur, Jonas Staal, Justin Bennett, Esther Tielemans, Gert-Jan Prins and Erik van Lieshout, alongside institutions like Witte de With, e-flux, New World Summit, Extra City Kunsthal, Arts Writers Grant Program, Art Agenda, Council, Cobra Museum and STEIM: studio for electro-instrumental music.
└ from 13 — Remco van Bladel


His artistic practice is formed by a number of ingredients that have always been present in his work to a greater or lesser extent.
└ from 13 — Remco van Bladel


His music has been performed by the BBC Scottish Symphony Orchestra, the Iceland Symphony Orchestra, Caput Ensemble, Reykjavík Chamber Orchestra, Ensemble Adapter, Tøyen Fil og Klafferi, Ensemble l’Arsenale, Ensemble CRUSH, Aksiom Ensemble, Nordic Affect, Defun Ensemble, Iceland Flute Choir, Duo Harpverk, Roberto Durante, Markus Hohti, Mathias Ziegler, Georgia Browne, Timo Kinnunen, Shayna Dunkelmann, Una Sveinbjarnardóttir and Tinna Þosteinsdóttir.
└ from 22 — Anitation


His teachers have been Alvin Curran, Fred Frith, John Bischoff, Atli Ingólfsson, Hilmar Þórðarsson and Úlfar Ingi Haraldsson.
└ from 22 — Anitation


His works can often be regarded as composition, performance, sculpture and indictment.
└ from 24 — Johannes Kreidler


His work is described as conceptual music.
└ from 24 — Johannes Kreidler


His work/action 'Product Placements', which helped to discuss copyright and the level of creation in music, was widely spread.
└ from 24 — Johannes Kreidler


His way of composing has a multimedia conceptual approach, which is mostly linked with processes in society.
└ from 24 — Johannes Kreidler


His writings have also been influential in the scholarly area of sound studies and the practical area of sound art.
└ from 27 — BJ Nilsen


His best known book, 'Noise, Water, Meat: A History of Sound in the Arts', was published by MIT Press in 1999.
└ from 27 — BJ Nilsen


His background in performance and his multimedia and confrontational approach gives him full credits to be part of the DE PLAYER programme.
└ from 28 — John Duncan


His music consists mainly of recordings of shortwave radio, field recordings and voice.
└ from 28 — John Duncan


His presentation was a crossover between a lecture and a demonstration.
└ from 29 — Niek Hilkmann


His overall aesthetic project combines allegorical appropriation with an interest in the intensity of a gesture or event.
└ from 31 — Marco Fusinato


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