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Thu 09 Feb 2017 12:00–Sun 12 Feb 2017 18:00 @ ART Rotterdam/Van Nelle Fabriek, Rotterdam 'PUSHING SCORES' AT ART ROTTERDAM For ART Rotterdam 2010 we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
└ from 01 — Pushing Scores Overview


For the Pinkie Bowtie session we invited Antwerp-based artists to contribute to the project.
└ from 01 — Pushing Scores Overview


For every performance a different instrument has been selected.
└ from 01 — Pushing Scores Overview


Thu 29 Nov 2018 20:00 @ Varia, Rotterdam ARCHIVING 'PUSHING SCORES' WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMANN AND MORE For this event we will focus on archiving our 'Pushing Scores' project.
└ from 01 — Pushing Scores Overview


For this event he will work with a film projection and a synthesizer, which he influences with his brainwaves.
└ from 04 — Noting Denoting


For it, Kris Delacourt (Remörk) had made a modified Casio keyboard as a reinterpretation of Vaast Colson's work 'Principium'.
└ from 06 — Principium 2.0 Publication


For example, there's this box set which has records that have built-in radio transmitters, records with impossible shapes where you need to turn the stylus of your record player upside down.
└ from 06 — Principium 2.0 Publication


For this evening event, 'Resonanz' will be the starting point of Q&A, demonstration and live presentation.
└ from 07 — Pu-sh-ing-Sco-res Event


For the 'PUSHING' event, Derek will do a reading entitled 'Schematic as Score: Uses and Abuses of the (In)Deterministic Possibilities of Sound Technology', and after that he will do a live set based on researching analogue visuals with the oscilloscope.
└ from 07 — Pu-sh-ing-Sco-res Event


For our event series within the context of the 'Pushing Scores' project, we programmed this evening after we got in touch with Telcosystems about their 'Resonanz' publication.
└ from 07 — Pu-sh-ing-Sco-res Event


Pushing Scores 20 Jan 2019 @ ART Rotterdam, Rotterdam with Moniker, Rafaël Rozendaal, Luuk Bouwman, Telcosystems, Remco van Bladel For ART Rotterdam 2017 we are pleased to present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
└ from 08 — Art Rotterdam Presentation


For a certain period we regularly took part in ART Rotterdam – an annual art fair in which commercial galleries and artist-run initiatives take part.
└ from 08 — Art Rotterdam Presentation


For this year's festival, it was clear to us that we should present the 'Pushing Scores' project.
└ from 08 — Art Rotterdam Presentation


For TGC#3 he developed a tool that is a learning counterpart to his own musical input.
└ from 09 — MAT>NET>PU TGC3 Presentation


For this multi-vocal composition, Remco van Bladel collaborated with Lætitia Sadier (Stereolab, Lætitia Sadier Source Ensemble).
└ from 11 — Para-phonic Poly-disco


For the 2015 edition of the Venice Biennale, the studio was responsible for the design of the publication and identity of 'to be all ways to be', the exhibition by herman de vries for the Dutch Pavilion.
└ from 13 — Remco van Bladel


For his 'Vehicle Sundown Event', he published a set of about fifty cards to be given to participants who participated in the event with their vehicles.
└ from 17 — Event Scores


For example, his work 'frakativ' is an electronic visual sound poetry performance.
└ from 19 — Jörg Piringer


For 'Pushing Scores', we invited him to make special work for a limited edition.
└ from 19 — Jörg Piringer


For this he developed specific software that generates poetry in spoken-word form.
└ from 19 — Jörg Piringer


For each record a unique piece is generated that is spoken and performed by the same software.
└ from 19 — Jörg Piringer


For another work he commissioned composers from low-wage countries to plagiarise his own music for a commission for the Festival Klangwerkstatt in Berlin.
└ from 24 — Johannes Kreidler


For much less money than Kreidler himself received as a commission, he had pieces ready for concert that were made for him in China and India.
└ from 24 — Johannes Kreidler


For this purpose, he was accompanied by numerous press representatives to deliver a small truck's worth of completed applications to the GEMA Directorate General in Berlin.
└ from 24 — Johannes Kreidler


How Could You) Bring Him Home' by Eamon ''(I'm Gonna Be) 500 Miles' by The Proclaimers with Brian Potter & Andy Pipkin '(Let Me Be Your) Teddy Bear' by Elvis Presley with The Jordanaires ''(You Want To) Make A Memory' by Bon Jovi '1234' by Feist '1973' by James Blunt '2 Hearts' by Kylie Minogue '3's & 7's' by Queens Of The Stone Age '4 Am Forever' by Lostprophets '4 In The Morning' by Gwen Stefani '505' by Arctic Monkeys 'A Bad Dream' by Keane 'A Big Hunk O' Love' by Elvis Presley With The Jordanaires 'A Day In The Life' by Larrikin Love 'A Moment Like This' by Leona Lewis 'A Never Ending Dream' by Cascada 'A Public Affair' by Jessica Simpson 'A Whole New World' by Katie Price & Peter Andre 'About You Now' by Sugababes 'About Your Dress' by The Maccabees 'Acceptable In The 80s' by Calvin Harris 'Acrylic' by The Courteeners 'Adagio For Strings' by DJ Tiesto 'Ain't No Party' by Orson 'Alarm Clock' by The Rumble Strips 'Alfie' by Lily Allen 'All Good Things (Come To An End)' by Nelly Furtado 'All I Got' by Newton Faulkner 'All I Need To Know' by Emma Bunton 'All I Want For Christmas Is You' by Mariah Carey 'All My Friends' by LCD Soundsystem 'All She Wrote' by Ross Copperman 'Almost Easy' by Avenged Sevenfold 'Always On My Mind' by Elvis Presley 'Amazing' by Seal 'America' by Razorlight 'An American Trilogy' by Elvis Presley 'An End Has A Start' by Editors 'Anarchy In The UK' by The Sex Pistols 'Angel On My Shoulder' by Gareth Gates 'Annie Let's Not Wait' by Guillemots 'Anonymous' by Bobby Valentino feat.
└ from 24 — Johannes Kreidler


For example, mining is in the arctic zone, and an asteroid mining law was adopted in Luxembourg in 2017 that gives companies ownership of what they extract from celestial bodies.
└ from 27 — BJ Nilsen


For example, in the composition radio broadcasts from space are used as well as a recoding of the probe that has ended up on an asteroid.
└ from 27 — BJ Nilsen


For this event, Kahn did some kind of improvisation session on the works of the three invited artists.
└ from 27 — BJ Nilsen


For the record I used recordings from the iron ore processing plant in Kirkenes, both with the plant working and not working.
└ from 27 — BJ Nilsen


For me it relates directly to iron ore in so far that the type of musique concrète and tape music developed at GRM was made possible by magnetic tape.
└ from 27 — BJ Nilsen


For the audience, the length of the performance frustrates the expectation of a manageable form, forcing all but the hardiest audience members to find contentment with only a fragment of the whole.
└ from 31 — Marco Fusinato


For this we published 8" records with artists and labels.
└ from 31 — Marco Fusinato


For the release event only John Nixon could be present, as Julian unfortunately died at young age and Marco was primarily active as a visual artist.
└ from 31 — Marco Fusinato


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